{"id":2564,"date":"2019-05-24T17:44:06","date_gmt":"2019-05-24T17:44:06","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=2564"},"modified":"2023-05-22T20:56:05","modified_gmt":"2023-05-22T20:56:05","slug":"harrison-birtwistle-musica-viva-vol-29-responses-sweet-disorder-gawains-journey","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/harrison-birtwistle-musica-viva-vol-29-responses-sweet-disorder-gawains-journey\/","title":{"rendered":"Harrison Birtwistle: musica viva vol. 29 – Responses. Sweet Disorder \/ Gawain’s Journey"},"content":{"rendered":"

Programm:<\/p>\n\n\n\n
\n
\n

Harrison Birtwistle<\/b>\u00a0(*1934)<\/p>\n

[01]\u00a0Responses. Sweet Disorder<\/b>(2014) f\u00fcr Klavier und Orchester\u00a029:16<\/b>
\nAuftragswerk von musica viva des Bayerischen Rundfunks, London Philharmonic Orchestra, Casa de M\u00fasica Porto und Boston Symphony Orchestra
\nunterst\u00fctzt durch die Ernst von Siemens Musikstiftung und die PRS for Music Founation
\n<\/i><\/p>\n

Urauff\u00fchrung<\/i><\/p>\n

 <\/p>\n

[02]\u00a0Gawain’s Journey<\/b>\u00a0(1991) f\u00fcr Orchester\u00a026:56<\/b><\/p>\n

 <\/p>\n

Gesamtspielzeit:\u00a056:23<\/p>\n

 <\/p>\n

Pierre-Laurent Aimard<\/a>, Klavier
\nSymphonieorchester des Bayerischen Rundfunks
\nStefan Asbury<\/a>, Dirigent<\/p>\n

 <\/p>\n

Live recordings<\/i><\/p>\n

Pressestimmen:<\/p>\n\n\n\n
\n
\n

\"\"
\nFebruary 2020<\/p>\n

Harrison Birtwistle’s creativity into his mid-eighties has seen numerous significant works, not least a second piano concerto.\u00a0Responses. Sweet Disorder<\/i>\u00a0(2014) might seem a fanciful title but aptly evokes the interplay between methodical balance and playful anarchy characterising the dialogue between soloist and orchestra; this half-hour piece unfolds in a series of dual contrasts prior to the brief cadenza, then a final pair of contrasts whose manner feels pointedly unclimactic. Pierre-Laurent Aimard sounds fully engaged in what is frequently a concertante part integrated within the texture, while Stefan Asbury (who recorded the revised version of\u00a0Antiphone<\/i>, Birtwistle’s first concerto – Metronome, 10\/15) presides over a secure premiere.<\/p>\n

Gawain’s Journey<\/i>\u00a0(1991) finds this most unequivocal composer in a more combative mood. As devised by Elgar Howarth from Birtwistle’s fourth opera,\u00a0Gawain<\/i>, it stands as both a cohesive paraphrase on that piece and a gripping autonomous work. Much of the discourse is strident, even violent, but several episodes focus on that fraught lyricism which has been a Birtwistle trait from the outset. It is here that Asbury’s more considered reading comes into its own next to Howath’s account, with the playing of the Philharmonia marginally less assured than that of the Bavarian Radio Symphony Orchestra, though the NMC recording’s decision to devide this piece into 12 separate tracks according to specific episodes is a definitive plus.<\/p>\n

The recorded Sound has the focus and dynamism this Music Needs, and Paul Griffiths contributes typically laconic observations. Not for Birtwistle Newcomers but a notable addition to his discography.<\/p>\n

Richard Whitehouse<\/i><\/p>\n

 <\/p>\n

\"\"<\/p>\n

On November 18, 2019, Paco Y\u00e1\u00f1ez wrote:<\/p>\n

(…) En conjunto, as\u00ed pues, dos versiones muy recomendables, si bien me quedo, por su modernidad y feroz teatralidad, con la lectura que ahora nos presenta NEOS.<\/p>\n

Tambi\u00e9n ayuda la excelente toma de sonido, magn\u00edfica, tanto para Responses. Sweet Disorder como para Gawain’s Journey, con una brillante espacializaci\u00f3n realizada por Ingo Schmidt-Lucas en los estudios Cybele para la capa SACD: de un realismo portentoso. La edici\u00f3n es la ya habitual de NEOS para la serie Musica Viva, que alcanza aqu\u00ed su vigesimonoveno volumen, con escuetas biograf\u00edas de compositor e int\u00e9rpretes, as\u00ed como con el ya mencionado ensayo a cargo de Paul Griffths, no especialmente amplio, pero sustantivo. Un nuevo disco, por tanto, de esos que nos parecen necesarios, pues \u00e9ste no hace sino ampliar la fonograf\u00eda -con la primera grabaci\u00f3n mundial de Responses. Sweet Disorder- de uno de los principales compositores brit\u00e1nicos de nuestro tiempo.<\/p>\n

Please read the full article here.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

In der Oktoberausgabe 2019 schrieb Dirk Wieschollek:<\/p>\n

Die Ver\u00f6ffentlichungen der musica-viva-Reihe sind eine Bank, was bemerkenswerte Orchesterkompositionen der Gegenwart betrifft. Folge 29 stellt zwei klangsatte Beitr\u00e4ge von Harrison Birtwistle vor. Die traditionelle Konfrontation von Solist und Orchester wird von Pierre-Laurent Aimard in „Response. Sweet disorder“ (2014) denkbar spannungsintensiv ausgereizt. (…) Das Symphonieorchester des Bayerischen Rundfunks darf hier lustvoll in die Vollen greifen und l\u00e4sst an expressiver Drastik und Klangsinnlichkeit keine W\u00fcnsche offen.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

Gerardo Scheige schrieb in der Ausgabe 4#_2019:<\/p>\n

Zur\u00fcckhaltend-erwartungsvoll k\u00fcndigen Schlagzeug und Harfe den Beginn einer knapp halbst\u00fcndigen Klangreise an, die mit Sweet Disorder \u2013 so der Untertitel von Reponses (2013-2014) \u2013 treffend beschrieben ist. Unter „s\u00fc\u00dfer Unordnung“ versteht der britische Architekt Robert Maxwell ein lebendiges Nebeneinander unterschiedlicher Bauformen und -stile. Das gilt auch f\u00fcr Sir Harrison Birtwistles zweites Klavierkonzert, das zahlreiche simultane Koexistenzen kennzeichnen: exaltierte Klangausbr\u00fcche und zarte Tonlinien, pointierte Akzente und elastische Fl\u00e4chen, Soloinstrument und Orchester. Schnell entpuppt sich Responses als Organismus, als Kreatur voller innerer Widerspr\u00fcche. (…) \u00dcberaus zielgerichtet ist wiederum die Darbietung von Pierre-Laurent Aimard und dem Symphonieorchester des Bayerischen Rundfunks unter der Leitung von Stefan\u00a0Asbury, die innerhalb dieses Klangabenteuers als zuverl\u00e4ssiger Kompass fungieren. (…) Und doch bereitet die \u00fcberbordende F\u00fclle an Details und Wendungen (…)\u00a0dem H\u00f6rgenuss bisweilen unn\u00f6tig M\u00fche. Jedes Ohr freut sich auch \u00fcber klare Linien und bittere Ordnung.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Programm: Harrison Birtwistle\u00a0(*1934) [01]\u00a0Responses. Sweet Disorder(2014) f\u00fcr Klavier und Orchester\u00a029:16 Auftragswerk von musica viva des Bayerischen Rundfunks, London Philharmonic Orchestra, Casa de M\u00fasica Porto und Boston Symphony Orchestra unterst\u00fctzt durch die Ernst von Siemens Musikstiftung und die PRS for Music Founation Urauff\u00fchrung   [02]\u00a0Gawain’s Journey\u00a0(1991) f\u00fcr Orchester\u00a026:56   Gesamtspielzeit:\u00a056:23   Pierre-Laurent Aimard, Klavier Symphonieorchester des […]<\/p>\n","protected":false},"featured_media":2565,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[26],"product_tag":[],"class_list":{"0":"post-2564","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-zeitgenossische-musik","7":"pa_artikelnummer-neos-11729","8":"pa_brand-neos-music","9":"pa_ean-182","10":"desktop-align-left","11":"tablet-align-left","12":"mobile-align-left","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"yoast_head":"\nHarrison Birtwistle: musica viva vol. 29 - Responses. 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Sweet Disorder(2014) f\u00fcr Klavier und Orchester\u00a029:16 Auftragswerk von musica viva des Bayerischen Rundfunks, London Philharmonic Orchestra, Casa de M\u00fasica Porto und Boston Symphony Orchestra unterst\u00fctzt durch die Ernst von Siemens Musikstiftung und die PRS for Music Founation Urauff\u00fchrung   [02]\u00a0Gawain’s Journey\u00a0(1991) f\u00fcr Orchester\u00a026:56   Gesamtspielzeit:\u00a056:23   Pierre-Laurent Aimard, Klavier Symphonieorchester des […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/neos-music.com\/en_us\/product\/harrison-birtwistle-musica-viva-vol-29-responses-sweet-disorder-gawains-journey\/\" \/>\n<meta property=\"og:site_name\" content=\"NEOS Music\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-22T20:56:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_11729_mv29_Birtwistle.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1648\" \/>\n\t<meta property=\"og:image:height\" content=\"1483\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/harrison-birtwistle-musica-viva-vol-29-responses-sweet-disorder-gawains-journey\\\/\",\"url\":\"https:\\\/\\\/neos-music.com\\\/product\\\/harrison-birtwistle-musica-viva-vol-29-responses-sweet-disorder-gawains-journey\\\/\",\"name\":\"Harrison Birtwistle: musica viva vol. 29 - Responses. 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