{"id":2612,"date":"2018-09-25T19:37:27","date_gmt":"2018-09-25T19:37:27","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&#038;p=2612"},"modified":"2023-06-05T09:19:45","modified_gmt":"2023-06-05T09:19:45","slug":"hommage-a-horatiu-radulescu-complete-works-for-piano","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/hommage-a-horatiu-radulescu-complete-works-for-piano\/","title":{"rendered":"Hommage \u00e0 Hora\u021biu R\u0103dulescu: Complete Works for Piano"},"content":{"rendered":"<p>Programm:<\/p>\n<table border=\"0\" width=\"100%\" rules=\"none\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"bigcontent2\">\n<div id=\"tracks\">\n<p><b>Hommage \u00e0 Hora\u021biu R\u0103dulescu<\/b>\u00a0(1942\u20132008)<br \/>\n<b>Complete Works for Piano<\/b><\/p>\n<p>SACD 1<br \/>\ntotal playing time: 63:39<\/p>\n<p><b>Kalotrope of the Eternal<\/b><\/p>\n<p><b><br \/>\n<\/b>[01]<b>\u00a0Omaggio a Domenico Scarlatti<\/b>\u00a0Op. 2 (1967)\u00a0<b>06:42<\/b><\/p>\n<p><b><br \/>\nSixth Piano Sonata\u201creturn to the source of light\u201d<\/b>\u00a0Op. 110 (2007)\u00a0<b>25:34<\/b><br \/>\n[02]<b>\u00a0I. Use your own light. Allegro<\/b>\u00a019:48<br \/>\n[03]\u00a0<b>II. Kalotrope of the Eternal. Cantabile<\/b>\u00a005:46<\/p>\n<p><b><br \/>\nPiano Sonata \u201csettle your dust, this is the primal identity\u201d<\/b>\u00a0Op. 106 (2003)\u00a0<b>21:21<\/b><br \/>\n[04]\u00a0<b>I. The path into the light seems dark<\/b>\u00a012:16<br \/>\n[05]<b>\u00a0II. Darkness within darkness \u2013 The gateway to all understanding<\/b>\u00a003:04<br \/>\n[06]\u00a0<b>III. Use your own light and return to the source of light \u2013 This is called \u2018practicing eternity\u2019<\/b>\u00a006:01<\/p>\n<p><b><br \/>\nFirst Piano Sonata \u201cCradle to Abysses\u201d<\/b>\u00a0Op. 5 (1968)\u00a0<b>09:56<\/b><br \/>\n[07]\u00a0<b>I. Giusto fluente \u2013 Lento<\/b>\u00a004:35<br \/>\n[08]\u00a0<b>II. Allegro<\/b>\u00a005:21<\/p>\n<p>Ortwin St\u00fcrmer, piano<\/p>\n<p>&nbsp;<\/p>\n<p>SACD 2<br \/>\ntotal playing time: 55:43<\/p>\n<p><b>Lao tzu Sonatas<\/b><\/p>\n<p><b>Second Piano Sonata \u201cbeing and non-being create each other\u201d<\/b>\u00a0Op. 82 (1991)\u00a0<b>13:38<\/b><br \/>\n[01]\u00a0<b>I. Immanence<\/b>\u00a007:18<br \/>\n[02]\u00a0<b>II. Byzantine bells<\/b>\u00a003:39<br \/>\n[03]\u00a0<b>III. Joy<\/b>\u00a002:41<\/p>\n<p><b><br \/>\nThird Piano Sonata \u201cyou will endure forever\u201d<\/b>\u00a0Op. 86 (1992\u2009\/\u20091999)\u00a0<b>26:18<\/b><br \/>\n[04]\u00a0<b>I. If you stay in the center<\/b>\u00a007:04<br \/>\n[05]\u00a0<b>II. And embrace death with your whole heart<\/b>\u00a006:51<br \/>\n[06]\u00a0<b>III. Do\u00efna<\/b>\u00a001:40<br \/>\n[07]<b>\u00a0IV. Dance of the Eternal<\/b>\u00a004:13<br \/>\n[08]\u00a0<b>V. You will endure forever<\/b>\u00a006:30<\/p>\n<p><b>Fourth Piano Sonata \u201clike a well \u2026 older than God\u201d<\/b>\u00a0Op. 92 (1993)\u00a0<b>15:41<\/b><br \/>\n[09]<b>\u00a0I. Trumpets of the Eternal<\/b>\u00a007:03<br \/>\n[10]<b>\u00a0II. The sacred sound, the second<\/b>\u00a004:01<br \/>\n[11]\u00a0<b>III. Music \u2026 older than Music<\/b>\u00a001:01<br \/>\n[12]\u00a0<b>IV. Abyss<\/b>\u00a003:36<\/p>\n<p>Ortwin St\u00fcrmer, piano<\/p>\n<p>&nbsp;<\/p>\n<p>SACD 3<br \/>\ntotal playing time: 51:38<\/p>\n<p><b>\u201cThe Quest\u201d Concerto for Piano and Large Orchestra<\/b>\u00a0Op. 90 (1996)<br \/>\n[01]<b>\u00a0The Gate<\/b>\u00a022:25<br \/>\n[02]\u00a0<b>The Second Sound. The Sacred<\/b>\u00a008:45<br \/>\n[03]\u00a0<b>Ancestors\u2019 Chants<\/b>\u00a014:01<br \/>\n[04]\u00a0<b>The Origin<\/b>\u00a006:25<\/p>\n<p>Ortwin St\u00fcrmer, piano<br \/>\n<a class=\"arcoma_glossarylink\" href=\"https:\/\/neos-music.com\/output.php?content=Kuenstler\/hr-Sinfonieorchester.php&amp;treplace=english%2Cgerman\" target=\"_self\" rel=\"noopener\">Frankfurt Radio Symphony Orchestra<\/a><br \/>\nLothar Zagrosek, conductor<\/p>\n<p><i>Live Recording<\/i><\/p>\n<p>&nbsp;<\/p>\n<p><i><b>This edition was made possible by the generous support of Dr. Bernd Geiss and Rolf Peter Ditter<\/b><\/i><\/p>\n<p>Pressestimmen:<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_gramophone.gif?ssl=1\" alt=\"\" \/><\/p>\n<p>&#8222;Critic&#8217;s choice&#8220; &#8211; Gramophone asks critics to choose their favourite CD of the year<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/11805_radulescu_critics-choice.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_mundoclasico2.gif?ssl=1\" alt=\"\" \/><\/p>\n<p>16\u00a0September 2019,\u00a0<b>Paco Y\u00e1\u00f1ez<\/b>\u00a0wrote:<\/p>\n<p>(&#8230;) La edici\u00f3n de NEOS, empaquetada en un cofre de cart\u00f3n, es muy bella, comprendiendo fotograf\u00edas, datos biogr\u00e1ficos, ejemplos de partituras, textos manuscritos del compositor y los datos t\u00e9cnicos de un lanzamiento discogr\u00e1fico obligado para quienes deseen conocer no s\u00f3lo la m\u00fasica de Hora\u0163iu R\u0103dulescu sino c\u00f3mo lo m\u00e1s folcl\u00f3rico y arcaico se puede abrazar a lo m\u00e1s moderno.<\/p>\n<p><a class=\"arcoma_editor_link\" href=\"https:\/\/neos-music.com\/output.php?template=german-album-details.php&amp;content=Alben\/11805-07.php#\" target=\"_blank\" rel=\"noopener\">(re<\/a><a class=\"arcoma_editor_link\" href=\"https:\/\/neos-music.com\/output.php?template=german-album-details.php&amp;content=Alben\/11805-07.php#\" target=\"_blank\" rel=\"noopener\">ad the full article here<\/a><a class=\"arcoma_editor_link\" href=\"https:\/\/neos-music.com\/output.php?template=german-album-details.php&amp;content=Alben\/11805-07.php#\" target=\"_blank\" rel=\"noopener\">)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_gramophone.gif?ssl=1\" alt=\"\" \/><\/p>\n<p>Richard Whitehouse schrieb:<\/p>\n<p>Although he never quite made the transition from cult artist to mainstream composer, Hora\u0163iu R\u0103dulescu (1942-2008) is widely regarded as a seminal figure in post-war European music, as this collection of his complete works for piano goes some way towards confirming. (&#8230;) Ortwin St\u00fcrmer was crucial in encouraging R\u0103dulescu\u2019s return to the piano, having premiered Sonatas Nos 2 4 as well as the Piano Concerto (1996), which places its composer\u2019s thinking within a more inclusive, even panoramic context. Only the first of these discs is newly recorded but the other two have been remastered to convey the precision and panache of St\u00fcrmer\u2019s pianism with impressive clarity. Booklet notes and presentation are exemplary even by Neos\u2019s high standards and this set is cordially recommended as an exemplar for a composer like no other.<\/p>\n<p><a class=\"arcoma_editor_link\" href=\"https:\/\/neos-music.com\/output.php?template=german-album-details.php&amp;content=Alben\/11805-07.php#\" target=\"_blank\" rel=\"noopener\">find the full article here<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_NeueZeitschriftMusik_NEU.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p>In der Ausgabe #2_2019 schrieb Egbert Hiller:<\/p>\n<p>&#8222;Trifft etwas nicht den Kern, ist es blo\u00dfe Kosmetik&#8220;, bemerkte der rum\u00e4nisch-franz\u00f6sische Komponist Hora\u021biu R\u0103dulescu einmal, und &#8222;Kosmetik&#8220; lehnte er strikt ab. (&#8230;) &#8230; in R\u0103dulescus Klavierwerken, die interpretatorisch vor enorme Herausforderungen stellen, gilt es doch &#8222;magische&#8220; Intensit\u00e4t zu erzeugen und jegliche &#8222;Kosmetik&#8220; und &#8222;Neue Musik&#8220;-Klischees zu vermeiden.<\/p>\n<p>Der Pianist Ortwin St\u00fcrmer erf\u00fcllt diesen Anspruch in jeder Hinsicht. Die drei CDs umfassen einen Schaffenszeitraum von 40 Jahren \u2013 von der\u00a0<i>Omaggio a Domenico Scarlatti<\/i>\u00a0op. 2, die R\u0103dulescu 1967 noch in Bukarest schrieb, bis zu seinem letzten Werk: die ein Jahr vor seinem Tod entstandene Klaviersonate Nr. 6\u00a0<i>Return to the source of light<\/i>\u00a0(2007). (&#8230;) Gro\u00dfartig gelingen St\u00fcrmer auch die stoischen Repetitionen im dritten Satz der Sonate Nr. 5 (2003), der insistierende Duktus im zweiten Satz der Sonate Nr. 3 (1992\/99) und und und &#8230;<\/p>\n<p>Keine W\u00fcnsche offen l\u00e4sst des Weiteren sein Zusammenspiel mit dem Radio-Sinfonie-Orchester Frankfurt (heute hr-Sinfonieorchester) unter Leitung von Lothar Zagrosek in The Quest op. 90 (1996), R\u0103dulescus Klavierkonzert (&#8230;). Der spannende Booklettext von Hartmut M\u00f6ller\u00a0 rundet eine CD-Publikation ab, die diese f\u00fcr viele noch unbekannte Musik uneingeschr\u00e4nkt ins rechte Licht r\u00fcckt.<\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_FonoForum.gif?ssl=1\" alt=\"\" \/><\/p>\n<p>M\u00e4rz 2019<\/p>\n<p>Hora\u021biu R\u0103dulescus Sonaten z\u00e4hlen zur bemerkenswertesten Klavierliteratur, die das sp\u00e4te 20. Jahrhundert zu bieten hat. (&#8230;) Insofern markiert diese erste Gesamteinspielung eine edtitorische Glanztat mit elektrisierenden Interpretationen, der Pianist Ortwin St\u00fcrmer hat eng mit dem rum\u00e4nischen Komponisten zusammengearbeitet und viele der Werke auch uraufgef\u00fchrt.\u00a0(&#8230;) Dies gilt auch f\u00fcr das Klavierkonzert &#8222;The Quest&#8220; (1996), wo\u00a0R\u0103dulescus Aushorchen der Tiefenschichten des Klanges vom Feldman-erprobten Frankfurter Rundfunkorchester farblich und harmonisch sublim ausgeleuchtet wird.<\/p>\n<p><i>Dirk Wieschollek<\/i><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/Logo_Pizzicato.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p><a class=\"arcoma_editor_link\" target=\"_blank\" rel=\"noopener\">https:\/\/www.pizzicato.lu<\/a>, 30 Oct 2018<\/p>\n<p>Der rum\u00e4nisch-franz\u00f6sische Komponist Horatiu Radulescu (1942 \u2013 2008) ist einer der renommiertesten Vertreter der Spektralmusik, der diese Technik mit mythischem Gedankengut mischte. Seine avantgardistische Herangehensweise ist wohl wissenschaftlich begr\u00fcndet, jedoch gleichzeitig von einem wachen Geist mit Gef\u00fchlskraft gepaart.<\/p>\n<p>Die wirklich au\u00dfergew\u00f6hnlichen Kl\u00e4nge, die wir hier h\u00f6ren, zeigen Radulescus Kreativit\u00e4t und seine Inspiration, die vom Motto gekennzeichnet waren: \u00ab Ich liebe Sch\u00f6nheit. \u00bb<\/p>\n<p>Der deutsche Pianist Ortwin St\u00fcrmer hat sich immer sehr f\u00fcr die Werke Radulescus eingesetzt, und der Komponist hat ihm auch einige St\u00fccke gewidmet.<\/p>\n<p>Ortwin St\u00fcrmer investiert sich voll und ganz, um die vielen Facetten von Radulescus Musik zu zeigen und den Formen Leben einzuhauchen. Ganz besonders interessant ist das Klavierkonzert, dessen feinjustierte Harmonien der Pianist wie auch das von Zagrosek geleitete Orchester wunderbar zum Ausdruck bringen.<\/p>\n<p>Die Aufnahmen waren teilweise schon einzeln als CD bei cpo erh\u00e4ltlich und wurden jetzt als SACDs bei NEOS zusammengefasst. Neu aber ist die CD mit der 5. und 6. Sonate. Sie ist eine Erstver\u00f6ffentlichung.<\/p>\n<p>Remy Franck<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Programm: Hommage \u00e0 Hora\u021biu R\u0103dulescu\u00a0(1942\u20132008) Complete Works for Piano SACD 1 total playing time: 63:39 Kalotrope of the Eternal [01]\u00a0Omaggio a Domenico Scarlatti\u00a0Op. 2 (1967)\u00a006:42 Sixth Piano Sonata\u201creturn to the source of light\u201d\u00a0Op. 110 (2007)\u00a025:34 [02]\u00a0I. Use your own light. Allegro\u00a019:48 [03]\u00a0II. Kalotrope of the Eternal. Cantabile\u00a005:46 Piano Sonata \u201csettle your dust, this is the [&hellip;]<\/p>\n","protected":false},"featured_media":2613,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[882,26],"product_tag":[],"class_list":{"0":"post-2612","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-klavier","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-11805-07","9":"pa_brand-neos-music","10":"pa_ean-228","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hommage \u00e0 Hora\u021biu R\u0103dulescu: Complete Works for Piano - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/hommage-a-horatiu-radulescu-complete-works-for-piano\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hommage \u00e0 Hora\u021biu R\u0103dulescu: Complete Works for Piano - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Programm: Hommage \u00e0 Hora\u021biu R\u0103dulescu\u00a0(1942\u20132008) Complete Works for Piano SACD 1 total playing time: 63:39 Kalotrope of the Eternal [01]\u00a0Omaggio a Domenico Scarlatti\u00a0Op. 2 (1967)\u00a006:42 Sixth Piano Sonata\u201creturn to the source of light\u201d\u00a0Op. 110 (2007)\u00a025:34 [02]\u00a0I. Use your own light. Allegro\u00a019:48 [03]\u00a0II. Kalotrope of the Eternal. 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