{"id":2727,"date":"2017-06-03T15:00:11","date_gmt":"2017-06-03T15:00:11","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=2727"},"modified":"2023-05-22T22:41:16","modified_gmt":"2023-05-22T22:41:16","slug":"georges-aperghis-musica-viva-vol-28-concerto-pour-accordeon-six-etudes","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/georges-aperghis-musica-viva-vol-28-concerto-pour-accordeon-six-etudes\/","title":{"rendered":"Georges Aperghis: musica viva vol. 28 – Concerto pour accord\u00e9on \/ Six \u00c9tudes"},"content":{"rendered":"

Programm:<\/p>\n

Georges Aperghis<\/a><\/b>\u00a0(*1945)<\/p>\n

[01]\u00a0Concerto pour\u00a0accord\u00e9on<\/b>\u00a0(2014\/2015) f\u00fcr Akkordeon\u00a027:59<\/b>
\nUrauff\u00fchrung<\/i><\/p>\n

<\/b><\/p>\n

Six \u00c9tudes<\/b>\u00a0(2012-2014) f\u00fcr gro\u00dfes Orchester31:46<\/b>
\n[02]\u00a0\u00c9tude I<\/b>\u00a003:03
\n[03]\u00a0\u00c9tude II<\/b>\u00a002:17
\n[04]\u00a0\u00c9tude III<\/b>\u00a008:41
\n[05]\u00a0\u00c9tude IV<\/b>\u00a005:54
\n[06]\u00a0\u00c9tude\u00a0V<\/b>\u00a010:05
\n[07]\u00a0\u00c9tude\u00a0VI<\/b>\u00a001:46<\/p>\n

 <\/p>\n

Gesamtspielzeit:\u00a060:52<\/p>\n

 <\/p>\n

Teodoro Anzellotti, Akkordeon
\nSymphonieorchester des Bayerischen Rundfunks
\nEmilio Pom\u00e0rico<\/a>, Dirigent<\/p>\n

<\/i><\/p>\n

Live recordings<\/i><\/p>\n

Pressestimmen:<\/p>\n

\"\"<\/p>\n

#1_2018<\/p>\n

(…) Dass Aperghis (auch) ein Mann des Musiktheaters ist, der mit kleinsten mitteln gro\u00dfe Wirkungen erzielen kann, ist in diesem Concerto eindringlich sp\u00fcrbar. Er nutzt den gro\u00dfen Apparat, er beherrscht ihn und bringt ihn fulminant zur Geltung, ohne ins Breitwandformat abzugleiten und sich verf\u00fchren zu lassen, die Mittel \u00fcber den Zweck zu stellen. Der Solist ist Theodoro Anzellotti, der wie kein anderer als Akkordeonist der Neuen Musik gilt und wesentlich dazu beitrug und -tr\u00e4gt, dass sein Instrument im Kontext des Zeitgen\u00f6ssischen nicht mehr wegzudenken ist.<\/p>\n

Sein Begleiter und Partner auf Augenh\u00f6he ist das Symphonieorchester des Bayerischen Rundfunks unter der Leitung von Emilio Pom\u00e0rico – und beide loten, wie Aperghis es formuliert, die Frage aus, wie das Orchester Akkordeon werden kann und umgekehrt.\u00a0(…)<\/p>\n

Egbert Hiller<\/p>\n

 <\/p>\n

\"\"<\/p>\n

12\/2017<\/p>\n

(…) Georges Aperghis ist einer der profiliertesten Schreiber Neuer Musik. Seine Werke zeichnen sich durch enorme Klangsinnlichkeit aus, ohne jemals in den Verdacht zu kommen, sentimental oder postromantisch zu wirken. Im Akkordeonkonzert bekommt Anzellotti zus\u00e4tzliche Sch\u00fctzenhilfe von der Orgel; das t\u00f6nt verwandtschaftlich, immerhin ziehen beide Instrumente ihre T\u00f6ne aus dem Luftstrom. Und immer tritt das Orchester farblich als Gegenpart an: Mit scharfkantigen Blechbl\u00e4sern oder perkussiven Eins\u00e4tzen. Auch die „Six\u00a0\u00e9tudes“ f\u00fcr gro\u00dfes Orchester leben von ungew\u00f6hnlichen Klangallianzen, auch mit der Orgel. Dass es \u00fcberhaupt m\u00f6glich ist, einen solch traditionellen Apparat wie ein\u00a0Sinfonieorchester aus den Fu\u00dffallen der eigenen Klanglichkeit herauszuf\u00fchren, ist schon Verdienst genug!<\/p>\n

Tilman Urbach<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Programm: Georges Aperghis\u00a0(*1945) [01]\u00a0Concerto pour\u00a0accord\u00e9on\u00a0(2014\/2015) f\u00fcr Akkordeon\u00a027:59 Urauff\u00fchrung Six \u00c9tudes\u00a0(2012-2014) f\u00fcr gro\u00dfes Orchester31:46 [02]\u00a0\u00c9tude I\u00a003:03 [03]\u00a0\u00c9tude II\u00a002:17 [04]\u00a0\u00c9tude III\u00a008:41 [05]\u00a0\u00c9tude IV\u00a005:54 [06]\u00a0\u00c9tude\u00a0V\u00a010:05 [07]\u00a0\u00c9tude\u00a0VI\u00a001:46   Gesamtspielzeit:\u00a060:52   Teodoro Anzellotti, Akkordeon Symphonieorchester des Bayerischen Rundfunks Emilio Pom\u00e0rico, Dirigent Live recordings Pressestimmen: #1_2018 (…) Dass Aperghis (auch) ein Mann des Musiktheaters ist, der mit kleinsten mitteln gro\u00dfe Wirkungen […]<\/p>\n","protected":false},"featured_media":2728,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[26],"product_tag":[],"class_list":{"0":"post-2727","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-zeitgenossische-musik","7":"pa_artikelnummer-neos-11728","8":"pa_brand-neos-music","9":"pa_ean-288","10":"desktop-align-left","11":"tablet-align-left","12":"mobile-align-left","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"yoast_head":"\nGeorges Aperghis: musica viva vol. 28 - 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