{"id":2758,"date":"2016-10-21T15:51:41","date_gmt":"2016-10-21T15:51:41","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=2758"},"modified":"2023-05-22T23:13:43","modified_gmt":"2023-05-22T23:13:43","slug":"salvatore-sciarrino-musica-viva-vol-26","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/salvatore-sciarrino-musica-viva-vol-26\/","title":{"rendered":"Salvatore Sciarrino: musica viva vol. 26"},"content":{"rendered":"

Programm:<\/p>\n

Salvatore Sciarrino<\/a><\/b>\u00a0(*1947)<\/p>\n

[01]\u00a0Un’immagine di arpocrate<\/b>\u00a0for piano and orchestra with choir(1974-1997)\u00a046:51<\/b>
\non texts from\u00a0Faust<\/i>\u00a0(J.W. von Goethe) and\u00a0Tractatus logico-philosophicus<\/i>\u00a0(Ludwig Wittgenstein)<\/p>\n

 <\/p>\n

[02]\u00a0Giorno velato presso il lago nero<\/b>\u00a0for violin and orchestra\u00a018:52<\/b>
\ncommissioned by musica viva<\/i><\/p>\n

World Premiere<\/i><\/p>\n

total playing time 65:45<\/p>\n

Tamara Stefanovich<\/b>\u00a0piano [01]
\nCarolin Widmann<\/b>\u00a0violin [02]<\/p>\n

Chorwerk Ruhr<\/b>
\nconducted by\u00a0Florian Helgath<\/b>\u00a0[01]<\/p>\n

Symphonieorchester des Bayerischen Rundfunks<\/b>
\nconducted by\u00a0Susanna M\u00e4lkki<\/b>\u00a0[01] \/\u00a0Jonathan Nott<\/b>\u00a0[02]<\/p>\n

Pressestimmen:<\/p>\n

\"\"
\n07 \/ 2017<\/p>\n

\"\"<\/p>\n

 <\/p>\n

\"\"<\/p>\n

Paco Y\u00e1\u00f1ez schrieb am 20.3.2017 auf mundoclassico.com: „De entre las diversas series que el sello alem\u00e1n NEOS dedica a las citas fundamentales de la nueva m\u00fasica europea, la del festival muniqu\u00e9s Musica Viva es, valga la redundancia, una de las m\u00e1s vivas y coleantes. (…)“<\/p>\n

Lesen Sie den Artikel hier.<\/a><\/p>\n

<\/a><\/p>\n

„Eine in jeder Hinsicht lohnenswerte Produktion.“<\/p>\n

Lesen Sie\u00a0hier<\/a>\u00a0den Artikel von Prof. Dr. Stefan Drees (12.3.2017).<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

04\/2017<\/p>\n

„… Immer wieder erhebt sich hier der Klang des Symphonieorchesters des BR, entfaltet sich in kleinen Sequenzen, die wie Duftnoten schweben. Das hat etwas zauberhaftes, in den gewaltigen Passagen auch etwas Mystisches. Ganz unten, von der Dirigentin klug in den Bereich des fast Unh\u00f6rbaren abgesenkt, setzt Sciarrino einen Urgrund aus dunkelsten Streichern (…) Auch „Giorno velato presso il lago nero“ f\u00fcr Violine und Orchester lebt von momenthaften Gesten (…) So entsteht ein spannender Dialog zwischen der fantastischen Solistin und dem Orchester.“ (Tilman Urbach)<\/p>\n

 <\/p>\n

\"\"<\/p>\n

03\/2017<\/p>\n

Max Nyffeler schreibt: „Ein Orchesterwerk mit Klavier und eines mit Violine (…) entf\u00fchren den H\u00f6rer in die labyrinthischen\u00a0Weiten von Sciarrinos Klangwelten. Mit Temara Stefanovich und Carolin Widmann sind erstklassige Interpreten\u00a0am Werk, das Symphonieorchester des Bayerischen Rundfunks entfaltet den passenden Klangzauber.“<\/p>\n

 <\/p>\n

Empfehlung in der Neuen Zeitschrift f\u00fcr Musik<\/p>\n

\"\"<\/p>\n

01\/2017<\/p>\n

„So wie man das alles in dieser Einspielung zu h\u00f6ren bekommt, wird man es so bald nicht wieder h\u00f6ren \u2013 so herzergreifend pr\u00e4zise und klangsinnlich.“ (Annette Eckerle)<\/p>\n

 <\/p>\n

http:\/\/ettoregarzia.blogspot.de<\/a><\/p>\n

01\/2017<\/p>\n

Suoni della contemporaneit\u00e0 italiana: spazi indicibili della rappresentazione musicale<\/b><\/p>\n

Il post-romanticismo di fine ottocento \u00e8 stato probabilmente uno spartiacque non solo nella musica: non fu insomma un caso se Debussy, Schoenberg o Cowell vennero alla ribalta nel momento stesso in cui la musica, le arti e il pensiero filosofico stavano perdendo il loro usuale centro di gravit\u00e0; cos\u00ec come i compositori cercarono di spingersi in territori vissuti fino ad allora in incognito, anche scrittori, poeti e pittori fecero emergere quel senso di dispersione, navigazione a vista dei confini della vita. Negli anni delle guerre del Novecento furono in molti ad interrogarsi sulla presenza divina, sul misticismo e come potervi aderire; Wittgenstein ne propose un modello logico, in cui regnava sovrana l’inutilit\u00e0 finale di qualsiasi domanda o linguaggio posto in essere, e afferm\u00f2 uno superiore, quello che sul silenzio poneva le basi di un percorso di convincimento; la filosofia, chiamata a ristorarci lo spirito, non deve pi\u00f9 porsi il problema di cosa saremo e su cui non ha risposte, ma dedicarsi alla conoscenza delle cose in funzione di un mondo mistico che non ha nessuna base reale in questa vita: applicare il silenzio significa spingersi ai limiti del linguaggio per trovare nel mistero „…lo sfondo oscuro contro cui si staglia alla luce la vita degli uomini…“.
\nTra i compositori contemporanei \u00e8 stato certamente Salvatore Sciarrino ad avere avuto il merito di trasporre nella musica in qualche modo le teorie dell’austriaco e il n. 26 di Musica Viva della Neos R., dedicato a due sue composizioni orchestrali ne \u00e8 una testimonianza eloquente: la prima, Un’immagine di Arpocrate \u00e8 un capolavoro della musica persino ispirato da Wittgenstein e dal suo trattato logico-filosofico; simbolo di quella composizione concentrica che caratterizza il compositore siciliano, cerca di indagare proprio in quelle aree di transito che delimitano gli orizzonti del vissuto. Composta per piano ed orchestra e dedicata al compianto Dino Ciani, che non pot\u00e9 pi\u00f9 eseguirla, Un’immagine di Arpocrate rivive una sognante interpretazione di Tamara Stefanovich di concerto con la Symphonieorchester des Bayerischen Rundfunks diretta da Susanna Malkki e il Chorwerk Ruhr di Florian Helgath; tessiture finissime e ricercate concentrate su alcune parti dell’orchestra (soprattutto gli archi) sostengono una sorta di „vuoto“ dello spazio sonoro, in cui il piano si inserisce come per evidenziare incantesimi. Perdita di convergenza, ambienti sonori dilatati ed un chiaro respiro umano, leggermente affannato, che precede una rivoluzione delle forze naturali a circa met\u00e0 del brano. Quel respiro si ripresenta per dar senso alle pause, che contengono tutto, anche i lievi atti di vita dei presenti in sala (riempimenti del silenzio), conducendo ad una sorta di monito esistenziale finale grazie alla direzione intrapresa dalla coralit\u00e0.<\/p>\n

Giorno Velato presso il lago nero \u00e8 la seconda composizione, composta per violino ed orchestra, in prima esecuzione affidata a Carolin Widmann con Jonathan Nott alla conduzione: lavorata con grande efficacia sui registri altissimi dello strumento, possiede in qualche modo lo stesso potenziale misterioso di Un’immagine di Arpocrate; la differenza sta nel fatto che Giorno Velato cerca di rendere musicalmente delle immagini „compiute“ di transito della nostra mente; il violino \u00e8 la guida delle nostre riflessioni, delle nostre lamentele espresse in curvature musicali, movimenti in scala discendente, pronti per accogliere le dolorose affermazioni di Rilke (un ulteriore elemento di vicinanza a Wittgenstein). Di questi gelidi e grigi laghi dell’anima ne \u00e8 fornito anche il pittore ceco Jan Preisler, i cui dipinti hanno concesso ispirazione al compositore, nell’uso della colorazione tendente al monocromatico che li caratterizza. Tutto ineccepibile.<\/p>\n

Ettore Garzia<\/b><\/p>\n

Auszeichnungen & Erw\u00e4hnungen:<\/p>\n\n\n\n
\n
\n

German Record Critics`Award 2\/2017 for „musica viva 26 – Salvatore Sciarrino“<\/b><\/p>\n

The jurors of the „German Record Critics‘ Award“ association have recognized the NEOS production „musica viva 26 – Salvatore Sciarrino: Un’immagine di Arpocrate \/ Giorno velato presso il Lago Nero“ by including it in its list of the best recordings of the second quarter of 2017.<\/p>\n

Eine soghafte Anziehungskraft haben diese beiden St\u00fccke aus der Feder Salvatore Sciarrinos: das Konzert f\u00fcr Klavier, Chor und Orchester mit dem Titel \u201eUn‘ immagine di Arpocrate\u201c nach Texten von Wittgenstein und Goethe sowie das Violinkonzert \u201eGiorno velato presso il lago nero\u201c, welches hier als Ersteinspielung zu h\u00f6ren ist. Es handelt sich um zwei Mitschnitte der gl\u00e4nzend kuratierten Reihe musica viva des Bayerischen Rundfunks. Sie f\u00fchren uns in die Welt des Kindgottes Harpokrates, Herr des Schweigens, und an den schwarzen See eines zeitgen\u00f6ssischen Gem\u00e4ldes: eine \u00e4u\u00dferst beredte Sph\u00e4renmusik, die unsere Ohren f\u00fcr das Geschehen im Dunkeln weit \u00f6ffnet und eine n\u00e4chtliche Welt voller Magie offenbart.
\n(F\u00fcr die Jury: Marita Emigholz)<\/i><\/p>\n

<\/i><\/p>\n

\"\"<\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Programm: Salvatore Sciarrino\u00a0(*1947) [01]\u00a0Un’immagine di arpocrate\u00a0for piano and orchestra with choir(1974-1997)\u00a046:51 on texts from\u00a0Faust\u00a0(J.W. von Goethe) and\u00a0Tractatus logico-philosophicus\u00a0(Ludwig Wittgenstein)   [02]\u00a0Giorno velato presso il lago nero\u00a0for violin and orchestra\u00a018:52 commissioned by musica viva World Premiere total playing time 65:45 Tamara Stefanovich\u00a0piano [01] Carolin Widmann\u00a0violin [02] Chorwerk Ruhr conducted by\u00a0Florian Helgath\u00a0[01] Symphonieorchester des Bayerischen Rundfunks conducted […]<\/p>\n","protected":false},"featured_media":2759,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[26],"product_tag":[],"class_list":{"0":"post-2758","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-zeitgenossische-musik","7":"pa_artikelnummer-neos-11626","8":"pa_brand-neos-music","9":"pa_ean-318","10":"desktop-align-left","11":"tablet-align-left","12":"mobile-align-left","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"yoast_head":"\nSalvatore Sciarrino: musica viva vol. 26 - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/salvatore-sciarrino-musica-viva-vol-26\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Salvatore Sciarrino: musica viva vol. 26 - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Programm: Salvatore Sciarrino\u00a0(*1947) [01]\u00a0Un’immagine di arpocrate\u00a0for piano and orchestra with choir(1974-1997)\u00a046:51 on texts from\u00a0Faust\u00a0(J.W. von Goethe) and\u00a0Tractatus logico-philosophicus\u00a0(Ludwig Wittgenstein)   [02]\u00a0Giorno velato presso il lago nero\u00a0for violin and orchestra\u00a018:52 commissioned by musica viva World Premiere total playing time 65:45 Tamara Stefanovich\u00a0piano [01] Carolin Widmann\u00a0violin [02] Chorwerk Ruhr conducted by\u00a0Florian Helgath\u00a0[01] Symphonieorchester des Bayerischen Rundfunks conducted […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/neos-music.com\/en_us\/product\/salvatore-sciarrino-musica-viva-vol-26\/\" \/>\n<meta property=\"og:site_name\" content=\"NEOS Music\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-22T23:13:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_11626_mv26.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1648\" \/>\n\t<meta property=\"og:image:height\" content=\"1482\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/salvatore-sciarrino-musica-viva-vol-26\\\/\",\"url\":\"https:\\\/\\\/neos-music.com\\\/product\\\/salvatore-sciarrino-musica-viva-vol-26\\\/\",\"name\":\"Salvatore Sciarrino: musica viva vol. 26 - 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