{"id":2777,"date":"2016-07-05T16:12:11","date_gmt":"2016-07-05T16:12:11","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=2777"},"modified":"2023-05-22T23:28:58","modified_gmt":"2023-05-22T23:28:58","slug":"johannes-x-schachtner-works-for-ensemble","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/johannes-x-schachtner-works-for-ensemble\/","title":{"rendered":"Johannes X. Schachtner: Works For Ensemble"},"content":{"rendered":"

Programm:<\/p>\n\n\n\n
\n
\n

[01]\u00a0Symphonischer Essay<\/b>\u00a0for chamber ensemble\u00a0(2007\/2008\/2016)<\/p>\n

[02]\u00a0Air \u2013 an Samuels Aerophon<\/b>\u00a0for large wind ensemble\u00a0(2013)<\/p>\n

<\/b>
\nQuatre tombeaux de vent<\/b>\u00a0for soprano and chamber ensemble<\/b>\u00a0(2013)
\nto poems by Fr\u00e9d\u00e9ric Wandel\u00e8re (*1949)<\/p>\n

[03]\u00a0I\u00a0Cinq heures, chemin \u00c9duard-Tavan
\n<\/b>[04]\u00a0II\u00a0Madame jardini\u00e8re<\/b>
\n[05]\u00a0III\u00a0\u201cAvant de me coucher\u201d
\n<\/b>[06]\u00a0IV\u00a0Partie avec le vent<\/b><\/p>\n

[07]\u00a0Invention III: Hopscotch<\/b>\u00a0(2013) for percussion solo<\/p>\n

[08]\u00a0Invention IV: Canon \u2013 Tribute to Johanna M. Beyer<\/b>\u00a0for percussion and piano quintet\u00a0(2016)<\/p>\n

[09]\u00a0Invention V: Battery<\/b>\u00a0for percussion and four wind players (2016)<\/p>\n

Aufstieg<\/b>\u00a0Ballad for baritone and chamber ensemble (2010)
\nto texts by Johanna Schwedes (*1979)<\/p>\n

[10]\u00a0Prolog<\/b>
\n[11]\u00a0Serenade
\n<\/b>[12]\u00a0\u201cBesuch\u201d \u2013 Intermezzo<\/b>
\n[13]\u00a0Epilog<\/b><\/p>\n

 <\/p>\n

Th\u00e9r\u00e8se Wincent<\/b>, soprano
\nPeter Sch\u00f6ne<\/b>, baritone<\/p>\n

Ensemble Zeitsprung<\/a>
\n<\/b>Tobias Kaiser, flute\/piccolo\/alto flute\/lotos flute
\nJ\u00f6rg-Oliver Werner, flute\/piccolo [02]
\nClaire Sirjacobs, oboe\/English horn\/mouth organ\/hi hat
\nAndrea Kempff, English horn [02]
\nOliver Klenk, clarinet\/E-flat clarinet\/basset horn\/bass clarinet\/snare drum
\nElisabeth Seitenberger, clarinet\/mouth organ [02]
\nCornelius Rinderle, bassoon\/bass drum
\nJacob Karwath, bassoon [02]
\nNina Ashton, contra bassoon (2)
\nDorothea Bender, horn
\nDaniela Martin, horn [02]
\nJohannes Bernhard, Wagner tuba [02]
\nMichael Reifer, Wagner tuba [02]
\nMatthew Sadler, trumpet [03\u201306 & 10\u201313]
\nAljoscha Zierow, trumpet\/rattle [09]
\nMathias Lachenmayr, percussion
\nVeronika Ponzer, harp
\nSachiko Hara, piano\/celesta
\nHenri Bonamy, piano [10\u201313]
\nFelix Key Weber, violin
\nNicolaus Richter de Vroe, violin [01 & 08]
\nV\u00e9ronique Bastian, viola
\nPhilipp von Morgen, violoncello
\nSophie L\u00fccke, double bass<\/p>\n

Markus Elsner<\/a><\/b>, conductor<\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Pressestimmen:<\/p>\n\n\n\n
\n
\n

\"\"<\/p>\n

02\/2017<\/p>\n

„… his\u00a0[Johannes X. Schachtner]\u00a0concern to balance innovation with historical awareness. (…) Best are the vocal works \u2013 the lucid elegance of\u00a0Quatre tombeaux de vent<\/i>\u00a0(2013) and scenic immediacy of the ballad\u00a0Aufstieg<\/i>\u00a0(2010). Markus Elsner secures vividly characterful playing from Ensemble Zeitsprung, itself poised for international status.“ (Richard Whitehouse)<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"
\n03\/2017<\/p>\n

\"\"<\/p>\n

 <\/p>\n

\"\"<\/p>\n

12\/2016<\/p>\n

„Gewaltig und sinfonisch t\u00fcrmt Schachtner anf\u00e4nglich die Motive in insistierender Rhythmik, dann wieder zerf\u00e4llt das Ganze in langgezogene, d\u00fcnne F\u00e4den \u2013 als verabschiede sich die Musik. Das Ensemble Zeitsprung gibt hier wie in den \u00fcbrigen kammermusikalischen St\u00fccken sein Bestes, pustet gewaltig ins Horn, trumpft auf, streichelt dann wieder den luftigsten Klang aus den Instrumenten. \u00dcberhaupt ist Schachtner kein „Vereinzelungssymptom“-Spezialist, wie es sie nicht erst seit Lachenmann in der Neuen Musik zuhauf gibt. F\u00fcr ihn bleibt der Fortlauf, die nachvollziehbare Erz\u00e4hlung, der gro\u00dfe, wenn auch manchmal br\u00fcchige Bogen einer Komposition essentiell.“ (Tilman Urbach)<\/p>\n

 <\/p>\n

\"\"<\/p>\n

Klaus Kalchschmid in der SZ Extra vom 30.6.2016:<\/p>\n

\"\"\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Programm: [01]\u00a0Symphonischer Essay\u00a0for chamber ensemble\u00a0(2007\/2008\/2016) [02]\u00a0Air \u2013 an Samuels Aerophon\u00a0for large wind ensemble\u00a0(2013) Quatre tombeaux de vent\u00a0for soprano and chamber ensemble\u00a0(2013) to poems by Fr\u00e9d\u00e9ric Wandel\u00e8re (*1949) [03]\u00a0I\u00a0Cinq heures, chemin \u00c9duard-Tavan [04]\u00a0II\u00a0Madame jardini\u00e8re [05]\u00a0III\u00a0\u201cAvant de me coucher\u201d [06]\u00a0IV\u00a0Partie avec le vent [07]\u00a0Invention III: Hopscotch\u00a0(2013) for percussion solo [08]\u00a0Invention IV: Canon \u2013 Tribute to Johanna M. […]<\/p>\n","protected":false},"featured_media":2778,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[26],"product_tag":[],"class_list":{"0":"post-2777","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-zeitgenossische-musik","7":"pa_artikelnummer-neos-11602","8":"pa_brand-neos-music","9":"pa_ean-336","10":"desktop-align-left","11":"tablet-align-left","12":"mobile-align-left","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"yoast_head":"\nJohannes X. 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