{"id":2788,"date":"2016-04-14T16:32:41","date_gmt":"2016-04-14T16:32:41","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=2788"},"modified":"2023-05-22T23:38:57","modified_gmt":"2023-05-22T23:38:57","slug":"york-hoeller-string-quartets-and-more","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/york-hoeller-string-quartets-and-more\/","title":{"rendered":"York H\u00f6ller: String Quartets (and more)"},"content":{"rendered":"

Programm:<\/p>\n\n\n\n
\n
\n

Drei Fragmente<\/b>\u00a0for string quartet (1966)\u00a007:36<\/b><\/p>\n

[01]\u00a0I. Langsam<\/b>\u00a003:38
\n[02]\u00a0II. Bewegt<\/b>\u00a002:03
\n[03]\u00a0III. Sehr energisch<\/b>\u00a001:55<\/p>\n

Zwiegestalt<\/b>\u00a0for string quartet and piano (2007\/2008)\u00a024:52<\/b><\/p>\n

[04]\u00a0I. Energico e decisio<\/b>\u00a005:37
\n[05]\u00a0II. Andante triste e doloroso<\/b>\u00a006:19
\n[06]\u00a0III. Capriccioso<\/b>\u00a002:52
\n[07]\u00a0IV. Tranquillo misterioso e dolce<\/b>\u00a005:25
\n[08]\u00a0V. Agitato<\/b>\u00a004:39<\/p>\n

2. Streichquartett<\/b>\u00a0(1997)\u00a019:25<\/b><\/p>\n

[09]\u00a01. Sonata \u2013 Introduzione<\/b>\u00a008:24
\n[10]\u00a02. Ciacona. Lento<\/b>\u00a006:01
\n[11]\u00a03. Burletta. Giocoso<\/b>\u00a001:32
\n[12]\u00a04. Ricercar. Molto agitato<\/b>\u00a003:28<\/p>\n

[13]\u00a0Antiphon (1. Streichquartett)<\/b>\u00a017:35<\/b>
\nfor string quartet and electronically transformed string quartet [4-channel tape] (1976, rev. 1984)<\/p>\n

total playing time:\u00a070:12<\/p>\n

Minguet Quartett<\/a>
\n<\/b>Ulrich Isfort, 1st violin
\nAnnette Reisinger, 2nd violin
\nAroa Sorin, viola
\nMatthias Diener, violoncello<\/p>\n

Markus Bellheim<\/a><\/b>, piano [04\u201308]<\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Pressestimmen:<\/p>\n\n\n\n
\n
\n

\"\"<\/p>\n

Ausgabe Nr. 157<\/p>\n

York H\u00f6ller geh\u00f6rt mit vierundsiebzig Jahren zu den produktivsten Komponisten seiner Generation. (…) Zur Vorliebe, jahrhundertelang Gedachtes weiterzudenken, tritt eine ausgesprochene Verachtung f\u00fcr alles Abgelebte, Routinierte, Schematische, des allzu Symmetrischen, auch des nur Zuf\u00e4lligen. (…) „Drei Fragmente“ f\u00fcr Streichquartett: drei Preziosen des Zweiundzwanzigj\u00e4hrigen. Erinnerungsspuren an Webern, Bart\u00f3k, den eigenen Lehrer Bernd Alois Zimmermann. (…) „Antiphon“ f\u00fcr Streichquartett: ein Meilenstein in H\u00f6llers Schaffen. Schl\u00fcsselerlebnis: H\u00f6ller erlebt gregorianischen Gesang in der Pariser Kathedrale Notre Dame. Zweiundvierzigt\u00f6nige Klanggestalt. Oftmals gespielt und auf LP\/CD ver\u00f6ffentlicht, geh\u00f6rt dies zu H\u00f6llers beliebtesten Kompositionen. (…) „Zwiegestalt“ f\u00fcr Streichquartett und Klavier: Ein von tragischen Ereignissen gepr\u00e4gtes Leben spiegelt sich abermals in komplexen Bildern der Trauer, Verzweiflung und Zuversicht, „Tranquillo misterioso e dolce“ und „Energico e deciso“ … Alles in blendender Aufnahmetechnik und brillanter Interpretation.<\/p>\n

Manfred Karallus<\/p>\n

 <\/p>\n

\"\"<\/p>\n

09\/2016<\/p>\n

„Das Minguet Quartett und der Pianist\u00a0Markus Bellheim geben mit Werken aus vier Jahrzehnten einen informativen Einblick in das Kammermusikschaffen von York H\u00f6ller. (…) Die vier Werke sind denkbar verschieden, allen gemeinsam ist aber ein starker kompositorischer Wille, der die unterschiedlichen Anregungen und Materialien zu einem erkennbaren Personalstil verschmilzt.“<\/p>\n

(Max Nyffeler)<\/p>\n

 <\/p>\n

\"\"<\/p>\n

02\/2017<\/p>\n

“ … a perspective that has evolved across 50 years in string quartet alone. Hence the pointillist brevity of\u00a0Drei Fragmente<\/i>\u00a0(1966), the textural diffusion between instruments and electronics of\u00a0Antiphon<\/i>\u00a0(1976), the Bart\u00f3kian gestures of his second quartet (1997) and the reassessment of an earlier Germanic expressive tradition in\u00a0Zwiegestalt<\/i>\u00a0(2008) \u2013 where pianist Markus Bellheim matches the Minguet Quartet in unwavering commitment.“<\/p>\n

(Richard Whitehouse)<\/p>\n

 <\/p>\n

Empfehlung in der Neuen Zeitschrift f\u00fcr Musik!<\/p>\n

\"\"<\/p>\n

„Strenge Konstruktion und Klangsinnlichkeit vereinen sich bei H\u00f6ller m\u00fchelos. […] Dass sich diese Prozesse beim H\u00f6ren unmittelbar erschlie\u00dfen, ist dem gro\u00dfartigen Minguet Quartett zu verdanken, das sich in der „Neuen Musik“ ebenso zuhause f\u00fchlt wie im klassisch-romantischen Repertoire und mit seinen Interpretationen\u00a0in emotionale wie strukturelle Tiefenschichten vordringt.“ (Egbert Hiller)<\/p>\n

 <\/p>\n

\"\"<\/p>\n

12\/2016<\/p>\n

„York H\u00f6ller, eine der wichtigen Figuren der europ\u00e4ischen Gegenwartsmusik, hat auch einige traditionell besetzte Streichquartette geschrieben. […] Das Minguet Quartett balanciert Herz und Hirn in der Musik perfekt aus.“<\/p>\n

(Dirk Wieschollek)<\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Programm: Drei Fragmente\u00a0for string quartet (1966)\u00a007:36 [01]\u00a0I. Langsam\u00a003:38 [02]\u00a0II. Bewegt\u00a002:03 [03]\u00a0III. Sehr energisch\u00a001:55 Zwiegestalt\u00a0for string quartet and piano (2007\/2008)\u00a024:52 [04]\u00a0I. Energico e decisio\u00a005:37 [05]\u00a0II. Andante triste e doloroso\u00a006:19 [06]\u00a0III. Capriccioso\u00a002:52 [07]\u00a0IV. Tranquillo misterioso e dolce\u00a005:25 [08]\u00a0V. Agitato\u00a004:39 2. Streichquartett\u00a0(1997)\u00a019:25 [09]\u00a01. Sonata \u2013 Introduzione\u00a008:24 [10]\u00a02. Ciacona. Lento\u00a006:01 [11]\u00a03. Burletta. Giocoso\u00a001:32 [12]\u00a04. Ricercar. Molto agitato\u00a003:28 [13]\u00a0Antiphon (1. […]<\/p>\n","protected":false},"featured_media":2789,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[878,26],"product_tag":[],"class_list":{"0":"post-2788","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-streichquartett","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-11518","9":"pa_brand-neos-music","10":"pa_ean-347","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"\nYork H\u00f6ller: String Quartets (and more) - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/york-hoeller-string-quartets-and-more\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"York H\u00f6ller: String Quartets (and more) - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Programm: Drei Fragmente\u00a0for string quartet (1966)\u00a007:36 [01]\u00a0I. Langsam\u00a003:38 [02]\u00a0II. Bewegt\u00a002:03 [03]\u00a0III. Sehr energisch\u00a001:55 Zwiegestalt\u00a0for string quartet and piano (2007\/2008)\u00a024:52 [04]\u00a0I. Energico e decisio\u00a005:37 [05]\u00a0II. Andante triste e doloroso\u00a006:19 [06]\u00a0III. Capriccioso\u00a002:52 [07]\u00a0IV. Tranquillo misterioso e dolce\u00a005:25 [08]\u00a0V. Agitato\u00a004:39 2. Streichquartett\u00a0(1997)\u00a019:25 [09]\u00a01. Sonata \u2013 Introduzione\u00a008:24 [10]\u00a02. Ciacona. Lento\u00a006:01 [11]\u00a03. Burletta. Giocoso\u00a001:32 [12]\u00a04. Ricercar. Molto agitato\u00a003:28 [13]\u00a0Antiphon (1. 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