{"id":2797,"date":"2016-01-14T16:45:25","date_gmt":"2016-01-14T16:45:25","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&#038;p=2797"},"modified":"2023-05-22T23:46:36","modified_gmt":"2023-05-22T23:46:36","slug":"bernd-alois-zimmermann-complete-works-for-piano-solo","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/bernd-alois-zimmermann-complete-works-for-piano-solo\/","title":{"rendered":"Bernd Alois Zimmermann: Complete Works for Piano Solo"},"content":{"rendered":"<p>Programm:<\/p>\n<table border=\"0\" width=\"100%\" rules=\"none\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"bigcontent2\">\n<div id=\"tracks\">\n<p><b>Extemporale<\/b>\u00a0(Five Pieces for Piano, 1939\u201346)\u00a0<b>12:52<br \/>\n<\/b>[01]\u00a0<b>No. 1 Sarabande<\/b>\u00a003:13<br \/>\n[02]\u00a0<b>No. 2 Invention<\/b>\u00a001:11<br \/>\n[03]\u00a0<b>No. 3 Siciliano<\/b>\u00a003:08<br \/>\n[04]\u00a0<b>No. 4 Bolero<\/b>\u00a003:25<br \/>\n[05]\u00a0<b>No. 5 Finale<\/b>\u00a001:55<\/p>\n<p><b>Drei fr\u00fche Klavierst\u00fccke<\/b>\u00a0(Three Early Piano Pieces, 1940)\u00a0<b>08:12<br \/>\n<\/b>[06]\u00a0<b>No. 1 Scherzettino<\/b>\u00a002:58<br \/>\n[07]\u00a0<b>No. 2 Intermezzo<\/b>\u00a002:52<br \/>\n[08]\u00a0<b>No. 3 Fugato<\/b>\u00a002:22<\/p>\n<p>[09]\u00a0<b>Capriccio<\/b>\u00a0(Improvisations on Folk Song Themes, 1946)\u00a0<b>10:08<\/b><\/p>\n<p><b>Enchiridion I<\/b>\u00a0(Little Pieces for Piano, 1949)\u00a0<b>13:29<br \/>\n<\/b>[10]\u00a0<b>No. 1 Introduktion<\/b>\u00a001:53<br \/>\n[11]\u00a0<b>No. 2 Ekloge<\/b>\u00a002:59<br \/>\n[12]\u00a0<b>No. 3 Rondino<\/b>\u00a000:48<br \/>\n[13]\u00a0<b>No. 4 Bourr\u00e9e<\/b>\u00a000:49<br \/>\n[14]\u00a0<b>No. 5 Meditation<\/b>\u00a003:19<br \/>\n[15]\u00a0<b>No. 6 Aria<\/b>\u00a001:10<br \/>\n[16]\u00a0<b>No. 7 Estampida<\/b>\u00a001:10<br \/>\n[17]\u00a0<b>No. 8 Toccata<\/b>\u00a001:21<\/p>\n<p><b>Enchiridion II<\/b>\u00a0(Exerzitien, 1952)\u00a0<b>09:34<\/b><br \/>\n[18]\u00a0<b>No. 1 Vigil<\/b>\u00a002:09<br \/>\n[19]\u00a0<b>No. 2 Hora<\/b>\u00a001:42<br \/>\n[20]\u00a0<b>No. 3 Ostinato<\/b>\u00a001:07<br \/>\n[21]\u00a0<b>No. 4 Matutin<\/b>\u00a002:30<br \/>\n[22]\u00a0<b>No. 5 Imagination<\/b>\u00a002:06<\/p>\n<p><b>Enchiridion Anhang<\/b>\u00a0(Appendix)<b>\u00a002:54<\/b><br \/>\n[23]\u00a0<b>Intermezzo<\/b>\u00a001:29<br \/>\n[24]\u00a0<b>L\u2019apr\u00e8s-midi d\u2019un Puck<\/b>\u00a000:43<br \/>\n[25]\u00a0<b>Hommage \u00e0 Johann Strau\u00df<\/b>\u00a000:42<\/p>\n<p><b>Konfigurationen<\/b>\u00a0(Eight Pieces for Piano, 1956)\u00a0<b>07:04<\/b><br \/>\n[26]\u00a0<b>No. 1<\/b>\u00a000:57<br \/>\n[27]\u00a0<b>No. 2<\/b>\u00a000:57<br \/>\n[28]\u00a0<b>No. 3<\/b>\u00a000:37<br \/>\n[29]\u00a0<b>No. 4<\/b>\u00a000:29<br \/>\n[30]\u00a0<b>No. 5<\/b>\u00a001:09<br \/>\n[31]\u00a0<b>No. 6<\/b>\u00a001:11<br \/>\n[32]<b>\u00a0No. 7<\/b>\u00a000:43<br \/>\n[33]\u00a0<b>No. 8<\/b>\u00a001:01<\/p>\n<p>total playing time: 67:02<\/p>\n<p><a class=\"arcoma_glossarylink\" href=\"https:\/\/neos-music.com\/output.php?content=Kuenstler\/Andreas_Skouras.php&amp;treplace=english%2Cgerman\" target=\"_self\" rel=\"noopener\">Andreas Skouras<\/a>, piano<\/p>\n<\/div>\n<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Pressestimmen:<\/p>\n<table border=\"0\" width=\"100%\" rules=\"none\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"bigcontent2\">\n<div id=\"press\">\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_klassik_com.png?ssl=1\" alt=\"\" \/><\/p>\n<p>Unter dem Titel &#8222;Intelligent&#8220; schrieb Michael Pitz-Grewenig am 21.12.2019 auf\u00a0<a class=\"arcoma_editor_link\" href=\"https:\/\/neos-music.com\/output.php?template=german-album-details.php&amp;content=Alben\/11026.php#\" target=\"_blank\" rel=\"noopener\">www.klassik.com<\/a>:<\/p>\n<p>(&#8230;) Andreas Skouras erweist sich bei den unterschiedlichen Anforderungen als kompetenter Interpret, der in Lage ist, bei diesen teilweise doch recht diffizilen Werken auf kleinstem Raum vielf\u00e4ltig klanglich agieren. Dynamik, Tempi, Phrasierung und Pedalisierung lassen keine W\u00fcnsche offen. Es ist schon erstaunlich, wie diese Werke, die zur Entstehungszeit avantgardistisch wirkten, sich mit dem Abstand der Jahre immer mehr in Tradition der Klaviermusik einfinden. Vor allem, wenn sie so intelligent musiziert werden wie von Andreas Skouras. Die Aufnahmetechnik ist brillant. Das Booklet enth\u00e4lt einen lesenswerten Aufsatz des Pianisten.<\/p>\n<p><a class=\"arcoma_editor_link\" href=\"https:\/\/neos-music.com\/output.php?template=german-album-details.php&amp;content=Alben\/11026.php#\" target=\"_blank\" rel=\"noopener\">Den vollst\u00e4ndigen Artikel finden Sie hier.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_diapason.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p><b>July \/ August\u00a02016<\/b><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/11026-diapson.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p><b>Pianiste n`99, July \/ August 2016<\/b><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/11026-pianiste.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_classica.png?ssl=1\" alt=\"\" \/><\/p>\n<p><b>Mai 2016<\/b><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/classica-mai16-11026.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_gramophone.gif?ssl=1\" alt=\"\" \/><\/p>\n<p>05\/2016<\/p>\n<p>&#8222;&#8230; It might be easy to overlook in the context of Zimmermann&#8217;s radical later works, but this is distictive, characterful music, to which Andreas Skouras responds with unfailing poise and charisma.&#8220;<\/p>\n<p>(Richard Whitehouse)<\/p>\n<\/div>\n<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programm: Extemporale\u00a0(Five Pieces for Piano, 1939\u201346)\u00a012:52 [01]\u00a0No. 1 Sarabande\u00a003:13 [02]\u00a0No. 2 Invention\u00a001:11 [03]\u00a0No. 3 Siciliano\u00a003:08 [04]\u00a0No. 4 Bolero\u00a003:25 [05]\u00a0No. 5 Finale\u00a001:55 Drei fr\u00fche Klavierst\u00fccke\u00a0(Three Early Piano Pieces, 1940)\u00a008:12 [06]\u00a0No. 1 Scherzettino\u00a002:58 [07]\u00a0No. 2 Intermezzo\u00a002:52 [08]\u00a0No. 3 Fugato\u00a002:22 [09]\u00a0Capriccio\u00a0(Improvisations on Folk Song Themes, 1946)\u00a010:08 Enchiridion I\u00a0(Little Pieces for Piano, 1949)\u00a013:29 [10]\u00a0No. 1 Introduktion\u00a001:53 [11]\u00a0No. 2 Ekloge\u00a002:59 [&hellip;]<\/p>\n","protected":false},"featured_media":2798,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/bernd-alois-zimmermann-complete-works-for-piano-solo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bernd Alois Zimmermann: Complete Works for Piano Solo - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Programm: Extemporale\u00a0(Five Pieces for Piano, 1939\u201346)\u00a012:52 [01]\u00a0No. 1 Sarabande\u00a003:13 [02]\u00a0No. 2 Invention\u00a001:11 [03]\u00a0No. 3 Siciliano\u00a003:08 [04]\u00a0No. 4 Bolero\u00a003:25 [05]\u00a0No. 5 Finale\u00a001:55 Drei fr\u00fche Klavierst\u00fccke\u00a0(Three Early Piano Pieces, 1940)\u00a008:12 [06]\u00a0No. 1 Scherzettino\u00a002:58 [07]\u00a0No. 2 Intermezzo\u00a002:52 [08]\u00a0No. 3 Fugato\u00a002:22 [09]\u00a0Capriccio\u00a0(Improvisations on Folk Song Themes, 1946)\u00a010:08 Enchiridion I\u00a0(Little Pieces for Piano, 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