{"id":2809,"date":"2015-11-24T17:01:45","date_gmt":"2015-11-24T17:01:45","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&#038;p=2809"},"modified":"2023-05-23T00:03:50","modified_gmt":"2023-05-23T00:03:50","slug":"marcus-antonius-wesselmann-piano-works","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/marcus-antonius-wesselmann-piano-works\/","title":{"rendered":"Marcus Antonius Wesselmann: piano works"},"content":{"rendered":"<p>Programm:<\/p>\n<p>[01]\u00a0<b>SOLO 5<\/b>\u00a0(1998\/1999)\u00a0<b>15:15<br \/>\n<\/b><\/p>\n<p>[02]\u00a0<b>SOLO 6<\/b>\u00a0(2000)\u00a0<b>15:09<br \/>\n<\/b><\/p>\n<p>[03]\u00a0<b>SOLO 7 -moto blues-<\/b>\u00a0(2001)\u00a0<b>05:25<br \/>\n<\/b><\/p>\n<p><b>SOLO 9 -kombinatorische et\u00fcden-<\/b>\u00a0(2003) 41:09<\/p>\n<p>[04]\u00a0<b>1 DANCE, STANDING<\/b>\u00a001:31<br \/>\n[05]\u00a0<b>2 SONG, RUNNING<\/b>\u00a005:41<br \/>\n[06]\u00a0<b>3 MACHINE ONE<\/b>\u00a002:49<br \/>\n[07]\u00a0<b>4 LAMENT, STANDING<\/b>\u00a003:21<br \/>\n[08]\u00a0<b>5 LAMENT, RUNNING<\/b>\u00a003:30<br \/>\n[09]\u00a0<b>6 DANCE, RUNNING<\/b>\u00a004:02<br \/>\n[10]\u00a0<b>7 DANCE OF SINGING MACHINE<\/b>\u00a005:48<br \/>\n[11]\u00a0<b>8 NO LAMENT<\/b>\u00a003:14<br \/>\n[12]\u00a0<b>9 MACHINE, RUNNING<\/b>\u00a003:41<br \/>\n[13]<b>\u00a010 MACHINE, STANDING<\/b>\u00a002:04<br \/>\n[14]<b>\u00a011 DANCE FOUR<\/b>\u00a005:28<\/p>\n<p>total playing time: 76:58<\/p>\n<p><a class=\"arcoma_glossarylink\" href=\"https:\/\/neos-music.com\/output.php?content=Kuenstler\/Eggert_Moritz.php&amp;treplace=english%2Cgerman\" target=\"_self\" rel=\"noopener\">Moritz Eggert<\/a>, piano<\/p>\n<p>Pressestimmen:<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_gramophone.gif?ssl=1\" alt=\"\" \/><\/p>\n<p>05\/2016<\/p>\n<p>&#8222;&#8230; prodigious technical range and often relentless if rarely literal rhythmic profile resulting in avowedly maximalist music. Hence the confrontational overly of metres in\u00a0<i>SOLO 5<\/i>\u00a0(1999) or teasingly inexact formal repetitions in\u00a0<i>SOLO 6<\/i>\u00a0(2000). The &#8218;moto blues&#8216; of\u00a0<i>SOLO 7<\/i>\u00a0(2001) leavens this Austerity with a syncopated vitality redolent of Kapustin, while the 11 &#8218;combinatorial etudes&#8216; that compromise\u00a0<i>SOLO 9<\/i>\u00a0(2003) recall Ligeti in their conjuring up of intricate textures out of harmonically simple cells. Moritz Eggert, a notable Composer in his own right, renders some transcendental pianism with unsparing conviction.&#8220;<\/p>\n<p>Richard Whitehouse<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/Logo_diapason.jpeg?ssl=1\" alt=\"\" \/><br \/>\n<b>Februar 2016<\/b><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/11508_diapason-feb16.jpg?ssl=1\" alt=\"\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programm: [01]\u00a0SOLO 5\u00a0(1998\/1999)\u00a015:15 [02]\u00a0SOLO 6\u00a0(2000)\u00a015:09 [03]\u00a0SOLO 7 -moto blues-\u00a0(2001)\u00a005:25 SOLO 9 -kombinatorische et\u00fcden-\u00a0(2003) 41:09 [04]\u00a01 DANCE, STANDING\u00a001:31 [05]\u00a02 SONG, RUNNING\u00a005:41 [06]\u00a03 MACHINE ONE\u00a002:49 [07]\u00a04 LAMENT, STANDING\u00a003:21 [08]\u00a05 LAMENT, RUNNING\u00a003:30 [09]\u00a06 DANCE, RUNNING\u00a004:02 [10]\u00a07 DANCE OF SINGING MACHINE\u00a005:48 [11]\u00a08 NO LAMENT\u00a003:14 [12]\u00a09 MACHINE, RUNNING\u00a003:41 [13]\u00a010 MACHINE, STANDING\u00a002:04 [14]\u00a011 DANCE FOUR\u00a005:28 total playing time: 76:58 Moritz Eggert, [&hellip;]<\/p>\n","protected":false},"featured_media":2810,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[878,26],"product_tag":[],"class_list":{"0":"post-2809","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-streichquartett","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-11508","9":"pa_brand-neos-music","10":"pa_ean-367","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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