{"id":2929,"date":"2013-05-31T17:36:32","date_gmt":"2013-05-31T17:36:32","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=2929"},"modified":"2023-01-09T17:34:55","modified_gmt":"2023-01-09T17:34:55","slug":"daniele-lombardi-mazes","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/daniele-lombardi-mazes\/","title":{"rendered":"Daniele Lombardi: MAZES"},"content":{"rendered":"

Infotext:<\/p>\n\n\n\n
\n
\n

DANIELE LOMBARDI\u00a0– MAZES<\/b><\/p>\n

Diese CD pr\u00e4sentiert eine Anthologie von Werken f\u00fcr Fl\u00f6te, die Daniele Lombardi zwischen 1972 und 2003 komponiert hat. Der Titel MAZES (Irrg\u00e4rten, Labyrinthe) bildet dabei den roten Faden, der alle St\u00fccke verbindet. Im mittelalterlichen Britannien waren die Rasenlabyrinthe schlie\u00dflich beliebte Unterhaltungsorte: geschwungene, bekannte Labyrinthe nachbildende Wege, die in Rasenfl\u00e4chen eingeschnitten waren und in der N\u00e4he beliebter Spiel- und Versammlungspl\u00e4tze lagen.<\/p>\n

Nach Marcel Brion steht das Labyrinth f\u00fcr die Verbindung verschiedener eng verwobener Themenstr\u00e4nge, in welchen der Pilger hoffnungslos gefangen scheint, aber der offene, sich spiralf\u00f6rmig entfaltende Weg nach langer und anstrengender Reise in unbeugsamer Geduld Erl\u00f6sung erhoffen l\u00e4sst, wenn schlie\u00dflich das Zentrum des Labyrinths erreicht ist.<\/p>\n

In den 1960er Jahren haben Earle Brown und John Cage bereits eine theoretische Metapher daf\u00fcr entwickelt. Sie definiert den interpretatorischen Raum und sieht die graphische Notation als eine unver\u00e4nderliche Vorlage, die visuell autonom und separat von den ver\u00e4nderlichen zeitlichen Wegen der Kl\u00e4nge ist. Daniele Lombardis musikalisches Labyrinth konfrontiert den Musiker mit solch einem Weg, l\u00e4sst ihm aber Bewegungsfreiheit, um sich im Spannungsfeld zwischen Zufall und Willensfreiheit zu bewegen \u2013 zwischen pr\u00e4ziser Notation und Anweisungen, die frei interpretierbar sind: der K\u00fcnstler wird also gleichzeitig Improvisator und Co-Komponist.<\/p>\n

Konsequenterweise f\u00fchrt die Beachtung dieser Poetik, die eine Dualit\u00e4t der Auff\u00fchrung aus festgelegten und freien Elementen schafft und unterst\u00fctzt, zu einer v\u00f6llig neuen Semantik. Der Klang wird somit zur Synthese aus definierten und nicht definierten Strukturen.<\/p>\n

Werke wie MIZ MAZE (1994), IL SOFFIO (1984), RONDELLUS (1995) und L\u2019ARIA CEDEVOLE (1993) haben eine in traditioneller Weise notierte Partitur, die den K\u00fcnstler mit detaillierten Hinweisen und Anweisungen ausstattet. MIZ MAZE, ein St\u00fcck f\u00fcr Fl\u00f6te, Piccolo und Bassfl\u00f6te, ist auf der Basis des Plans von Caerdroia gestaltet (eine verbreitete Labyrinth-Form, welche die Umrisse von Troja symbolisiert). Dazu schreibt Daniele Lombardi: \u00bbIm Gegensatz zu der weiter verbreiteten runden Labyrinth-Form bedurfte MIZ MAZE einer quadratischen Anlage, um den linearen Segmenten des Pentagramms gerecht zu werden\u00ab. Das St\u00fcck ist Sir John Hawkwood gewidmet, dem S\u00f6ldner, der auf Paolo Uccellos ber\u00fchmten Fresko in der Kathedrale Santa Maria del Fiore in Florenz zu sehen ist und an dessen sechshundertsten Todestag es erinnert.<\/p>\n

\u00bbDas Fl\u00f6tenst\u00fcck IL SOFFIO (1984) wurde f\u00fcr eine Auff\u00fchrung von Pirandellos gleichnamiger Kurzgeschichte geschrieben: je ein Monolog f\u00fcr Schauspieler und Fl\u00f6te. Die Struktur ist flexibel und das Thema hinl\u00e4nglich formbar, so dass der Interpret es jedes Mal nach seinen W\u00fcnschen spielen kann.\u00ab (Daniele Lombardi)<\/p>\n

Die drei GRAPHODIE f\u00fcr Altfl\u00f6te (1972), Fl\u00f6te (1974) und Piccolo (1975) sowie CIRCONVOLUZIONE f\u00fcr Fl\u00f6te, Bassfl\u00f6te und Piccolo (1973) sind graphisch notiert und ermutigen den Ausf\u00fchrenden, sie frei zu interpretieren. In Letzterem ist der Interpret aufgerufen, seine eigene Kreativit\u00e4t und pers\u00f6nlichen F\u00e4higkeiten einzubringen, w\u00e4hrend er die Noten liest und interpretiert und dem Klang \u00bbForm\u00ab gibt. Die phantasievolle Eleganz der graphischen Notation Daniele Lombardis regt die Kreativit\u00e4t der Interpreten an, indem sie die M\u00f6glichkeit bietet, frei und ungebunden zu flie\u00dfen. Die Partituren haben keine traditionelle Notation, die verschiedenen musikalischen Parameter werden ausschlie\u00dflich durch die Graphik und ihre Charakteristik vermittelt.<\/p>\n

Luisella Botteon
\n\u00dcbersetzung aus dem Englischen: Alexandra Z\u00f6llner<\/i><\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Programm:<\/p>\n\n\n\n
\n
\n

[01]\u00a0THE GARDENER\u2019S LABYRINTH<\/b>\u00a012:04
\nfor hyperbass flute (2003)<\/p>\n

[02]\u00a0MIZ MAZE<\/b>\u00a012:32
\nfor flute, piccolo, bass flute and live electronics (1994)
\nDamiano Meacci, live electronics
\nRealised in collaboration with the Centro Tempo Reale, Firenze<\/i><\/p>\n

[03]\u00a0IL SOFFIO<\/b>\u00a011:11
\nfor flute and piccolo (1984)<\/p>\n

[04]\u00a0RONDELLUS<\/b>\u00a002:12
\nfor flute (1995)<\/p>\n

[05]\u00a0L’ARIA CEDEVOLE DA „L\u2019ORA ALATA“<\/b>\u00a003:05
\nfor flute (1993)<\/p>\n

[06]\u00a0GRAPHODIA 1<\/b>\u00a002:45
\nfor alto flute (1972)<\/p>\n

[07]\u00a0GRAPHODIA 2<\/b>\u00a004:03
\nfor flute (1974)<\/p>\n

[08]\u00a0GRAPHODIA 3<\/b>\u00a002:48
\nfor piccolo (1975)<\/p>\n

[09]\u00a0CIRCONVOLUZIONE<\/b>\u00a009:47
\nfor flute, bass flute and piccolo (1973)<\/p>\n

total time: 61:02<\/p>\n

Roberto Fabbriciani<\/a><\/b>\u00a0flutes<\/p>\n

World Premiere Recordings<\/i><\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Infotext: DANIELE LOMBARDI\u00a0– MAZES Diese CD pr\u00e4sentiert eine Anthologie von Werken f\u00fcr Fl\u00f6te, die Daniele Lombardi zwischen 1972 und 2003 komponiert hat. Der Titel MAZES (Irrg\u00e4rten, Labyrinthe) bildet dabei den roten Faden, der alle St\u00fccke verbindet. Im mittelalterlichen Britannien waren die Rasenlabyrinthe schlie\u00dflich beliebte Unterhaltungsorte: geschwungene, bekannte Labyrinthe nachbildende Wege, die in Rasenfl\u00e4chen eingeschnitten waren […]<\/p>\n","protected":false},"featured_media":2930,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[882,26],"product_tag":[],"class_list":{"0":"post-2929","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-klavier","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-10911","9":"pa_brand-neos-music","10":"pa_ean-478","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"\nDaniele Lombardi: MAZES - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/daniele-lombardi-mazes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Daniele Lombardi: MAZES - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Infotext: DANIELE LOMBARDI\u00a0– MAZES Diese CD pr\u00e4sentiert eine Anthologie von Werken f\u00fcr Fl\u00f6te, die Daniele Lombardi zwischen 1972 und 2003 komponiert hat. 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