{"id":3036,"date":"2011-01-12T15:05:18","date_gmt":"2011-01-12T15:05:18","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=3036"},"modified":"2022-11-19T15:06:34","modified_gmt":"2022-11-19T15:06:34","slug":"ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/","title":{"rendered":"Ladislav Kub\u00edk: Sinfoniettas Nos. 1 & 3 – Piano Concerto No. 3"},"content":{"rendered":"

Infotext:<\/p>\n\n\n\n
\n
\n

Sinfoniettas Nr. 1 & 3 \u00b7 Klavierkonzert Nr. 3<\/b><\/p>\n

Ladislav Kub\u00edk (geboren 1946 in Prag) war schon seit den Siebzigern seinen eigenen und sehr pers\u00f6nlichen Weg gegangen, als er Preistr\u00e4ger der Internationalen Komponistentrib\u00fcne der UNESCO wurde (1974 in Paris mit\u00a0Lament of the Warrior\u2019s Wife<\/i>\u00a0und dem\u00a0Klavierkonzert Nr. 1<\/i>). Kub\u00edk ist sowohl von der Westeurop\u00e4ischen Avantgarde wie nat\u00fcrlich auch durch seinen slawischen Hintergrund beeinflusst.<\/p>\n

Seine Musik kombiniert Klangerforschungen und formales Experimentieren mit einem ausgepr\u00e4gten Sinn f\u00fcrs Melodische und Emotionale. Diese k\u00fcnstlerische Verbindung zeigt sich ganz deutlich in Kub\u00edks\u00a0Violinkonzert<\/i>, seinem Ballett\u00a0Song of Man<\/i>\u00a0wie auch in neueren Werken (die er erst nach seiner Einb\u00fcrgerung in die Vereinigten Staaten geschrieben hat), z.\u2009B.\u00a0Triptych<\/i>\u00a0\u00fcber Kafka,\u00a0Sinfonietta Nr. 2 \u00bbJacob\u2019s Well\u00ab<\/i>\u00a0\u2013 und besonders in den\u00a0Songs of Zhivago<\/i>, die auf Pasternaks Dichtung zur\u00fcckgreifen.<\/p>\n

Auch Kub\u00edks Werke f\u00fcr Soloinstrumente und Kammerensembles (Elegy in Two Movements<\/i>,\u00a0Trio \u00bbMetamorphoses\u00ab<\/i>,\u00a0Sonata-Portrait<\/i>) lassen die Konzentration auf strukturelle Details und sein besonderes Gef\u00fchl f\u00fcr programmatische Reflektion und leidenschaftlichen Ausdruck erkennen.<\/p>\n

Die\u00a0Sinfonietta Nr. 1<\/b><\/i>\u00a0(1998) wurde f\u00fcr das Cleveland Chamber Symphony Orchestra und Maestro Andrew Rindfleisch komponiert, der 1998 die Urauff\u00fchrung dirigierte. Kammermusikalisches und orchestrales Komponieren vereinen sich in diesem sch\u00f6nen Werk. Jeder der 19 Interpreten wird als Solist behandelt, und man h\u00f6rt in diesem kurzen eins\u00e4tzigen Werk jede Stimme mit gro\u00dfer Klarheit. Kub\u00edk hat es jedoch auch verstanden, dem Ensemble den Anschein eines wesentlich gr\u00f6\u00dferen Klangk\u00f6rpers zu geben.<\/p>\n

Donald Rosenberg, ein bekannter Musikkritiker des\u00a0Cleveland Plain Dealer\u2019s<\/i>, schrieb: \u00bbObwohl ein intimes Ensemble mit nur 19 Spielern auftritt, entsteht eine Atmosph\u00e4re, die von aggressiven Kl\u00e4ngen \u00fcber verspielte Passagen bis zu \u00e4therischen Seufzern reicht. Kub\u00edk erbaut leuchtende H\u00f6hepunkte mit sorgf\u00e4ltigstem handwerklichen K\u00f6nnen. Jede Phrase klingt wie eine zwingend notwendige Ausarbeitung des Vorangegangenen. Spuren von Bergs Lyrizismen und Sch\u00f6nbergs struktureller Beherrschung finden sich in Kub\u00edks mutigem und sehr pers\u00f6nlichem Stil.\u00ab<\/p>\n

Konzert Nr. 3 f\u00fcr Klavier, Orchester und Elektronik<\/b><\/i>,\u00a0im Gedenken an Bohuslav Martin\u016f<\/i>\u00a0(2010): Dieses neue, gro\u00df angelegte Werk schrieb Kub\u00edk im Gedenken an Martin\u016fs 50. Todestag. Wie Kub\u00edk war auch Martin\u016f ein tschechischer Komponist mit entschieden kosmopolitischen Einfl\u00fcssen.<\/p>\n

W\u00e4hrend seiner langen und kreativen Karriere lebte Martin\u016f in Frankreich, den Vereinigten Staaten (wohin er nach Hitlers Machtergreifung zog) und in der Schweiz. In seinem Klavierkonzert zeigt Kub\u00edk seine Bewunderung f\u00fcr Martin\u016f durch drei aufgenommene Zitate: Zwei aus Martin\u016fs Klavierkonzerten Nr. 5\u00a0\u00bbFantasia Concertante\u00ab<\/i>\u00a0und Nr. 4 \u00bbIncantations\u00ab (beide kommen in Kub\u00edks zweitem Satz vor) und eines aus der Schlusspassage von Martin\u016fs 6. Sinfonie (zu h\u00f6ren in Kub\u00edks\u00a0Epilogue<\/i>).<\/p>\n

Die drei Zitate werden nicht vom Live-Orchester gespielt, es sind vielmehr Tonaufnahmen mit leichten elektronischen Modifikationen. Das ergibt einen \u00e4therischen Effekt, weil Martin\u016fs Musik aus dem Saal erklingt und dadurch ein besonderer Dialog mit dem Orchester entsteht. Tats\u00e4chlich entsteht ein Eindruck, als ob die Live-Musiker mit der Vergangenheit zu kommunizieren scheinen und Kub\u00edk Martin\u016f direkt mit einbeziehen w\u00fcrde.<\/p>\n

Dieser Effekt wird besonders deutlich, wenn das Werk in einem Saal aufgef\u00fchrt wird, der \u00fcber ein 5.1 Surroundsystem verf\u00fcgt. Kub\u00edk, ein ausgebildeter Pianist, hat noch immer eine starke Bindung zu seinem Instrument. Sogar in Passagen, in denen Kub\u00edk k\u00fchne und komplexe Strukturen aufbaut, beh\u00e4lt das Soloinstrument seinen urspr\u00fcnglichen Charakter vielf\u00e4ltiger Farben und atemberaubender Momente tiefer Versenkung.<\/p>\n

Die dreis\u00e4tzige\u00a0Sinfonietta Nr. 3 \u00bbGong\u00ab<\/i><\/b>\u00a0f\u00fcr Mezzosopran, gemischten Chor, Orchester und Elektronik wurde f\u00fcr das Festival Prague Premieres komponiert und dort 2008 auch uraufgef\u00fchrt. Der erste Satz ist rein orchestral (gro\u00dfes Orchester plus Alt-Saxophon), w\u00e4hrend im zentralen zweiten Satz (Gong<\/i>) Mezzo-Sopranistin und Elektronik eines von Rilkes ureigensten Gedichten interpretieren.<\/p>\n

Im dritten Satz (Ein Gott vermags\u2026<\/i>) vereint Kub\u00edk alle Interpreten zur Interpretation von Rilkes\u00a0Sonnett Nr. 3 aus Teil 1 der\u00a0Sonnette an Orpheus<\/i>. Die Elektronik (zentral im zweiten Satz) h\u00e4lt sich nun zur\u00fcck, tr\u00e4gt aber symbolische Bedeutung, basierend auf dem Klang von Gongs und menschlichen Stimmen, und f\u00e4ngt so die abstrakte Bedeutung von Rilkes einzigartiger Dichtung ein, in der reiner Klang Sinn transportiert.<\/p>\n

In ihrer Rezension in\u00a0A Tempo Revue<\/i>\u00a0schreibt Eva Reiserova: \u00bbKub\u00edks\u00a0Sinfonietta Nr. 3<\/i>\u00a0ist ein Werk von hinrei\u00dfender Wirkung mit perfekten Makro- und Mikrostrukturen. Die Verbindung der Komposition mit dem Text und dem mystischen und hymnusgleichen Charakter der Musik entspricht kongenial der Atmosph\u00e4re von Rilkes Zeit und zeigt, wie tief Kub\u00edk in das Herz von Rilkes wunderbaren Gedichten eindringt.\u00ab<\/p>\n

Die drei Werke der vorliegenden Aufnahme gewinnen ihre Inspiration aus unterschiedlichen Quellen und Zeiten. Aber obwohl sie auf unsere musikalischen und poetischen Vorg\u00e4nger Bezug nehmen, vermitteln sie uns eine echte zeitgen\u00f6ssische und frische Perspektive der Musik unserer Zeit.<\/p>\n

Michael Buchler<\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Programm:<\/p>\n

[01]\u00a0Sinfonietta No. 1<\/b>\u00a0for 19 instruments (1998)\u00a009:31<\/b><\/p>\n

Ensemble 21
\nJakub Hr\u016f\u0161a, conductor<\/p>\n

Concerto No. 3 for Piano, Orchestra, and Electronics<\/b>\u00a0(2010)\u00a020:38
\n<\/b>To the memory of Bohuslav Martin\u016f<\/p>\n

[02]\u00a0I. Maestoso. Aggressivo. Appassionato. Lirico. Pi\u00f9 agitato. Drammatico. Maestoso.<\/b>\u00a004:48
\n[03]\u00a0II. Molto sostenuto. Con fluidezza. Calmando.<\/b>\u00a007:50
\n[04]\u00a0III. Presto. Tempo rigoroso. Meno mosso. Presto. Frenetico. L\u2019istesso tempo. Epilogue\u2013Lento.<\/b>\u00a007:54<\/p>\n

Read Gainsford, piano
\nBrno Philharmonic
\nAlexander Jim\u00e9nez, conductor<\/p>\n

Sinfonietta No. 3 \u201cGong\u201d<\/b>\u00a0for mezzo-soprano (alto), mixed choir, orchestra, and electronics (2008)\u00a015:56
\n<\/b>On the poetry of Rainer Maria Rilke<\/p>\n

[05]\u00a0I. Introductory Movement<\/b>\u00a003:43
\n[06]\u00a0II. Gong<\/b>\u00a005:42
\n[07]\u00a0III. \u201cEin Gott vermags\u2026\u201d<\/b>\u00a005:58<\/p>\n

Jadwiga Rapp\u00e9, mezzo-soprano
\nK\u00fchn Mixed Choir
\nMarek Vorl\u00ed\u010dek, choirmaster
\nPrague Radio Symphony Orchestra
\nJan Ku\u010dera, conductor<\/p>\n

total time: 46:26<\/p>\n

Pressestimmen:<\/p>\n


\n05.01.2012<\/p>\n

This short playing CD presents three orchestral works by Ladislav Kub\u00edk. Two of them include an electronic strand and all show how Kub\u00edk has espoused the way of dissonant lyricism.<\/p>\n

Sinfonietta No. 1 is a work in which sourly irritable soloistic display is dominant yet segues into dreamy soft focus dissonance (4:10). Percussion rasps and rattles, side-drum and orchestral piano make their impact in a work that also fits the Concerto for Orchestra specification. The music is transparently laid out and much of it strikes one as Webern-like in its clarity of aural layout – everything is caringly calculated. It ends in musing beauty admitting of hope-bereft intimacy.<\/p>\n

The Concerto No. 3 for piano, orchestra and electronics includes four Martin\u016f quotations: two from piano concerto 5, one from the fourth and one from the Fantaisies Symphoniques. These appear as slightly processed\/skewed recordings of parts of the reference works. The first movement is potently doom-laden with belligerent remorseless drums. The second is more reflective-idyllic with some noticeably Martin\u016f-style writing for the strings (2:58). The piano glimmers and muses in feline dissonance. It’s not hard listening. War dance rhythmic assaults and ravening brass criss-cross harsh piano dissonances in the finale. This finds its heart\u2019s home in peace (2:10) before yet more of the ruthless blitzing. Gainsford and his collaborators prove elite advocates. There are no half-measures whether in aggression or in the touchingly still Martin\u016f-soused glow of the final pages lost in the stars.<\/p>\n

Sinfonietta No. 3 Gong is in three movements. The first of these frames glimmering beauty with urgent paranoiac brass-calls and drum attacks. The other two movements set the poetry of Rainer Maria Rilke. Rapp\u00e9’s statuesque yet smokingly volatile voice alternates between operatic effusion and oratory. This is mixed with a gong and swishing noises from the electronic apparatus. The style is defiantly Schoenbergian in the manner of Moses and Aron. The last movement mixes choir and solo voice.<\/p>\n

For Gong and Ein Gott vermags the words are printed in German only in the usual cleanly presented Neos booklet.<\/p>\n

For exploratory souls able to accommodate Kub\u00edk’s free-thinking dissonance as well as its potent engagement with hysteria and poetry.<\/p>\n

Rob Barnett<\/p>\n

http:\/\/www.musicweb-international.com\/classrev\/2012\/Jan12\/Kubik_sinfoniettas_neos11011.htm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Infotext: Sinfoniettas Nr. 1 & 3 \u00b7 Klavierkonzert Nr. 3 Ladislav Kub\u00edk (geboren 1946 in Prag) war schon seit den Siebzigern seinen eigenen und sehr pers\u00f6nlichen Weg gegangen, als er Preistr\u00e4ger der Internationalen Komponistentrib\u00fcne der UNESCO wurde (1974 in Paris mit\u00a0Lament of the Warrior\u2019s Wife\u00a0und dem\u00a0Klavierkonzert Nr. 1). Kub\u00edk ist sowohl von der Westeurop\u00e4ischen Avantgarde […]<\/p>\n","protected":false},"featured_media":3037,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[26],"product_tag":[],"class_list":{"0":"post-3036","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-zeitgenossische-musik","7":"pa_artikelnummer-neos-11011","8":"pa_brand-neos-music","9":"pa_ean-583","10":"desktop-align-left","11":"tablet-align-left","12":"mobile-align-left","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"yoast_head":"\nLadislav Kub\u00edk: Sinfoniettas Nos. 1 & 3 - Piano Concerto No. 3 - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ladislav Kub\u00edk: Sinfoniettas Nos. 1 & 3 - Piano Concerto No. 3 - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Infotext: Sinfoniettas Nr. 1 & 3 \u00b7 Klavierkonzert Nr. 3 Ladislav Kub\u00edk (geboren 1946 in Prag) war schon seit den Siebzigern seinen eigenen und sehr pers\u00f6nlichen Weg gegangen, als er Preistr\u00e4ger der Internationalen Komponistentrib\u00fcne der UNESCO wurde (1974 in Paris mit\u00a0Lament of the Warrior\u2019s Wife\u00a0und dem\u00a0Klavierkonzert Nr. 1). 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Kub\u00edk ist sowohl von der Westeurop\u00e4ischen Avantgarde […]","og_url":"https:\/\/neos-music.com\/en_us\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/","og_site_name":"NEOS Music","article_modified_time":"2022-11-19T15:06:34+00:00","og_image":[{"width":1648,"height":1483,"url":"https:\/\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_11011_Ladislav_Kubik.jpeg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/","url":"https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/","name":"Ladislav Kub\u00edk: Sinfoniettas Nos. 1 & 3 - Piano Concerto No. 3 - NEOS Music","isPartOf":{"@id":"https:\/\/neos-music.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/#primaryimage"},"image":{"@id":"https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_11011_Ladislav_Kubik.jpeg?fit=1648%2C1483&ssl=1","datePublished":"2011-01-12T15:05:18+00:00","dateModified":"2022-11-19T15:06:34+00:00","breadcrumb":{"@id":"https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/#primaryimage","url":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_11011_Ladislav_Kubik.jpeg?fit=1648%2C1483&ssl=1","contentUrl":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_11011_Ladislav_Kubik.jpeg?fit=1648%2C1483&ssl=1","width":1648,"height":1483},{"@type":"BreadcrumbList","@id":"https:\/\/neos-music.com\/product\/ladislav-kubik-sinfoniettas-nos-1-3-piano-concerto-no-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/neos-music.com\/"},{"@type":"ListItem","position":2,"name":"Produkte","item":"https:\/\/neos-music.com\/shop__trashed\/"},{"@type":"ListItem","position":3,"name":"Ladislav Kub\u00edk: Sinfoniettas Nos. 1 & 3 – Piano Concerto No. 3"}]},{"@type":"WebSite","@id":"https:\/\/neos-music.com\/#website","url":"https:\/\/neos-music.com\/","name":"NEOS Music","description":"Dein Online Shop f\u00fcr zeitgen\u00f6ssische Musik, Jazz und Classics!","publisher":{"@id":"https:\/\/neos-music.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/neos-music.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/neos-music.com\/#organization","name":"NEOS Music","url":"https:\/\/neos-music.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/neos-music.com\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2025\/08\/NEOS-Logo-weiss.png?fit=800%2C203&ssl=1","contentUrl":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2025\/08\/NEOS-Logo-weiss.png?fit=800%2C203&ssl=1","width":800,"height":203,"caption":"NEOS Music"},"image":{"@id":"https:\/\/neos-music.com\/#\/schema\/logo\/image\/"}}]}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product\/3036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":0,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product\/3036\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/media\/3037"}],"wp:attachment":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/media?parent=3036"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product_brand?post=3036"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product_cat?post=3036"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product_tag?post=3036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}