{"id":3081,"date":"2010-08-01T16:06:13","date_gmt":"2010-08-01T16:06:13","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=3081"},"modified":"2022-11-19T16:10:39","modified_gmt":"2022-11-19T16:10:39","slug":"beat-furrer-mauricio-sotelo-gyoergy-kurtag-steve-reich-gyoergy-ligeti-toshio-hosokawa-john-cage-galina-ustvolskaya-klaus-huber-franck-christoph-yeznikian-salzburg-biennale-festival-for-new","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/beat-furrer-mauricio-sotelo-gyoergy-kurtag-steve-reich-gyoergy-ligeti-toshio-hosokawa-john-cage-galina-ustvolskaya-klaus-huber-franck-christoph-yeznikian-salzburg-biennale-festival-for-new\/","title":{"rendered":"Beat Furrer, Mauricio Sotelo, Gy\u00f6rgy Kurt\u00e1g, Steve Reich, Gy\u00f6rgy Ligeti, Toshio Hosokawa, John Cage, Galina Ustvolskaya, Klaus Huber, Franck Christoph Yeznikian: Salzburg Biennale – Festival for New Music 2009"},"content":{"rendered":"

Programm:<\/p>\n


\nSACD 1
\n<\/b>total playing time 70:55<\/p>\n

Beat Furrer<\/a><\/b>\u00a0(*1954)
\n[01]\u00a0Spur<\/b>\u00a0for piano and string quartet (1998)\u00a0\u00a012:40<\/b>
\nHsin-Huei Huang, piano \u00b7\u00a0stadler quartett<\/a><\/p>\n

Mauricio Sotelo<\/a><\/b>\u00a0(*1961)
\n[02]\u00a0Aud\u00e9eis<\/b>\u00a0for voice and string quartet (2004)\u00a0\u00a023:03
\n<\/b>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arc\u00e1ngel, flamenco voice \u00b7 stadler quartett<\/p>\n

Beat Furrer<\/b>
\n[03]\u00a0Xenos<\/b>\u00a0for ensemble (2008)\u00a0\u00a009:13
\n<\/b>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Ensemble Contrechamps<\/a>\u00a0\u00b7 Beat Furrer, conductor<\/p>\n

Gy\u00f6rgy Kurt\u00e1g<\/a><\/b>\u00a0(*1926)
\n\u2026quasi una fantasia\u2026<\/b>\u00a0op. 27\/1 for piano and instrument groups (1988)\u00a008:44
\n<\/b>[04] Introduzione: Largo\u00a0 01:42
\n[05] Presto minaccioso e lamentoso: molto agitato\u00a0 01:41
\n[06] Recitativo: Grave, disperato\u00a0 01:58
\n[07] Aria \u2013 Adagio molto: Lontano, calmo, appena sentito\u00a0 03:24
\nNicolas Hodges<\/a>, piano
\nEnsemble Contrechamps<\/a>\u00a0\u00b7 Beat Furrer, conductor<\/p>\n

Gy\u00f6rgy Kurt\u00e1g
\n<\/b>[08]\u00a0What is the Word<\/b>\u00a0op. 30b for alto, voices and ensemble (1990\u20131991)\u00a017:08<\/b>
\nPiroska Moln\u00e1r, alto \u00b7 Vokalensemble Z\u00fcrich
\nEnsemble Contrechamps \u00b7 Beat Furrer, conductor<\/p>\n


\nSACD 2
\n<\/b>total playing time 76:35<\/p>\n

Steve Reich<\/a><\/b>\u00a0(*1936)
\nDifferent Trains<\/b>\u00a0for string quartet and pre-recorded tape (1988)\u00a0\u00a026:58<\/b>
\n[01] I.\u00a0 America \u2013 Before the War\u00a0 09:03
\n[02] II. Europe \u2013 During the War\u00a0 07:32
\n<\/span>
\n[03] III. After the War\u00a0 10:22
\nstadler quartett<\/p>\n

Gy\u00f6rgy Ligeti<\/b>\u00a0(1923\u20132006)
\nDrei St\u00fccke f\u00fcr zwei Klaviere<\/b>\u00a0(1976)\u00a0\u00a016:35
\n<\/b>[04] I. Monument\u00a0 04:23
\n[05] II. Selbstportrait mit Reich und Riley (und Chopin ist auch dabei)\u00a0 07:47
\n<\/span>
\n[06] III. Bewegung\u00a0 04:25
\nMiki Skuta, piano \u00b7 Nora Skuta, piano<\/p>\n

Gy\u00f6rgy Ligeti
\n<\/b>[07]\u00a0Continuum<\/b>\u00a0for harpsichord (1968)\u00a0\u00a004:40<\/b>
\nFlorian Birsak, harpsichord
\n<\/span><\/p>\n

Steve Reich<\/a><\/b>
\nSextet<\/b>\u00a0for percussion and keyboards (1984\u20131985)\u00a0\u00a028:20<\/b>
\n[08] Part I\u00a0\u00a0\u00a0 11:05
\n[09] Part II\u00a0\u00a0 05:15
\n[10] Part III\u00a0 02:37
\n[11] Part IV\u00a0\u00a0 03:28
\n<\/span>
\n[12] Part V\u00a0\u00a0\u00a0 05:55
\noenm . oesterreichisches ensemble f\u00fcr neue musik<\/p>\n


\nSACD 3
\n<\/b>total playing time 68:08<\/p>\n

Toshio Hosokawa<\/a><\/b>\u00a0(*1955)
\n[01]\u00a0Landscape V<\/b>\u00a0for sh\u00f4 and string quartet (1993)\u00a0\u00a015:33<\/b>
\nMayumi Miyata<\/a>, sh\u00f4
\nQuatuor Diotima<\/a><\/p>\n

John Cage<\/a><\/b>\u00a0(1912\u20131992)
\n[02]\u00a0TWO3<\/b>\u00a0for sh\u00f4 and conches (1991)\u00a0\u00a010:16<\/b>
\nMayumi Miyata, sh\u00f4
\nArabella Hirner, conches<\/p>\n

Galina Ustvolskaya<\/a><\/b>\u00a0(1919\u20132006)
\nComposition No. 2 \u201cdies irae\u201d\u00a0<\/b>\u00a0\u00a021:35<\/b>
\nfor eight double basses, wooden block and piano (1972\/1973)
\n[03] I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 01:40
\n[04] II\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 02:58
\n[05] III\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 03:24
\n[06] IV\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a000:56
\n[07] V\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 02:01
\n[08] VI\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 00:52
\n[09] VII\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 02:16
\n[10] VIII\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a000:57
\n[11] IX\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 01:52
\n[12] X\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 04:38
\nNoriko Shiozaki, piano
\nMozarteumorchester Salzburg
\nJohannes Kalitzke<\/a>, conductor<\/p>\n

Toshio Hosokawa<\/b>
\nCloud and Light<\/b>\u00a0for sh\u00f4 and orchestra (2008)\u00a0\u00a020:41
\n<\/b>[13] 1. Wolken schweben im Himmel\u00a0\u00a0\u00a0\u00a0 03:02
\n[14] 2. Vorgef\u00fchl des Schattens\u00a0\u00a0\u00a0\u00a0 07:02
\n[15] 3. Wolken und Licht\u00a0\u00a0\u00a0\u00a0 01:29
\n[16] 4. Dunkle Wolken und kleiner Sturm\u00a0\u00a0\u00a0\u00a0 01:44
\n[17] 5. Vorgef\u00fchl des Lichts\u00a0\u00a0\u00a0\u00a0 01:51
\n[18] 6. Welle und Licht\u00a0\u00a0\u00a0\u00a0 01:42
\n[19] 7. Verkl\u00e4rung\u00a0\u00a0\u00a0\u00a0 01:32
\n[20] 8. Coda\u00a0\u00a0\u00a0\u00a0 02:19
\nMayumi Miyata, sh\u00f4
\nMozarteumorchester Salzburg
\nJohannes Kalitzke, conductor<\/p>\n


\nSACD 4
\n<\/b>total playing time 60:31<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b>\u00a0Klaus Huber<\/a><\/b>\u00a0(*1924)
\nKammerkonzert \u201cIntarsi\u201d. In memoriam Witold Lutos\u0142awski<\/b>\u00a018:06<\/b>
\nfor piano and 17 instrumentalists (1993\/1994)
\n[01] I. Intarsi\u00a0 04:10
\n<\/span>
\n[02] II. Pianto \u2013 Specchio di Memorie\u00a0 01:28
\n[03] Piccola cadenza contrapuntistica (wie ein Hauch)\u00a0 01:59
\n[04] Seconda cadenza contrapuntistica\u00a0 04:10
\n<\/span>
\n[05] III. Unit\u00e0! (rondissimo)\u00a0 02:54
\n[06] IV. Giardino Arabo (epilogo)\u00a0 03:25
\nNicolas Hodges, piano \u00b7 oenm . oesterreichisches ensemble f\u00fcr neue musik
\nArturo Tamayo<\/a>, conductor<\/p>\n

Franck Christoph Yeznikian<\/b>\u00a0(*1969)
\n[07]\u00a0Harnischstriemen (Faltenachsen)<\/b>\u00a0\u00a019:33
\n<\/b>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 for cimbalom and ensemble (2008)
\nLuigi Gaggero, cimbalom \u00b7 oenm . oesterreichisches ensemble f\u00fcr neue musik
\nArturo Tamayo, conductor
\n<\/span><\/p>\n

Klaus Huber<\/b>
\nTempora Concerto for violin and small orchestra (1970)\u00a0\u00a022:49<\/b>
\n[08] I. Genesis\u00a0 07:03
\n[09] II. De Natura\u00a0 03:11
\n[10] III. Quod libet \u2013 Quod tacet \u2013 Quod nescitur\u00a0 12:35
\nFrank Stadler, violin \u00b7 Mozarteumorchester Salzburg
\nArturo Tamayo, conductor
\n<\/span><\/p>\n

Prize-winners‘ concert \u201cSalzburg Music Award 2009\u201d<\/p>\n

Auszeichnungen & Erw\u00e4hnungen:<\/p>\n

Pasticciopreis f\u00fcr die SCAD-Box „Salzburg Biennale 2009“<\/b><\/p>\n

Der Pasticcio-Preis des Monats Juli geht an eine CD mit zeitgen\u00f6ssischer Musik des Labels NEOS: Auf vier SACDs und 2 DVDs wird die erste Salzburg Biennale f\u00fcr Neue Musik in der Mozartstadt dokumentiert.<\/p>\n

http:\/\/oe1.orf.at\/pasticcio<\/a><\/p>\n

 <\/p>\n

Was ist der Pasticciopreis?<\/b><\/p>\n

Der Preis wurde im J\u00e4nner 2003 vom \u00d61-Journalisten Helmut Jasbar gegr\u00fcndet und am letzten Donnerstag des Monats auf Radio \u00d6sterreich 1 in der Sendung „Pasticcio“ (an Wochentagen von 8.15 bis 8.55 Uhr) zehnmal j\u00e4hrlich verliehen und geht an MusikerInnen, die in \u00d6sterreich eine interessante CD im Bereich Klassik\/Crossover ver\u00f6ffentlicht haben.<\/p>\n

Was als namenloser Anerkennungspreis begann, wuchs schnell zu einem interessanten Beitrag zur Bewahrung der Vielf\u00e4ltigkeit des \u00f6sterreichischen Kulturlebens heran. Jasbar, der selbst ein international anerkannter Musiker, Kurator und Komponist ist, hat den \u201ePasticciopreis\u201c im Laufe der Jahre zu einer respektablen Marke ausgebaut, die \u00f6sterreichweite Anerkennung genie\u00dft.<\/p>\n

Wie wird der Pasticciopreis verliehen?<\/b><\/p>\n

Die Jury, die monatlich das Angebot der hiesigen Musikproduktionen im Bereich Klassik und Crossover durchk\u00e4mmt, besteht momentan aus f\u00fcnf Fachleuten. Das von der Jury ausgew\u00e4hlte Ensemble bzw. die ausgew\u00e4hlten Musikerinnen und Musiker sowie deren empfohlene CD werden an jedem letzten Donnerstag des Monats in der Sendung \u201ePasticcio\u201c ausf\u00fchrlich gew\u00fcrdigt; ein Exemplar der CD wird an interessierte \u00d61-H\u00f6rerInnen verschenkt.<\/p>\n

Wer sind die Gewinner des Pasticciopreises?<\/b><\/p>\n

Voraussetzungen:
\nDie Beg\u00fcnstigten sind MusikerInnen (mit Lebensmittelpunkt \u00d6sterreich), die im Laufe der letzten zwei Jahre mit einer CD-Ver\u00f6ffentlichung aufgefallen sind, die au\u00dfergew\u00f6hnliche Musikalit\u00e4t und thematisch interessante Konzepte dokumentiert.
\nBevorzugt werden Produktionen, die bei \u201eIndependent Labels\u201c ver\u00f6ffentlicht wurden, da diese
\n1. \u00fcber geringe Werbe-Etats verf\u00fcgen.
\n2. von kunstverst\u00e4ndigen Leuten geleitet werden, deren Idealismus oft an jenen der Musiker heranreicht.
\n3. durch ihre hochwertigen Publikationen einen beachtlichen Beitrag zur Vielfalt der Musikkultur leisten.<\/p>\n

Die Musiker repr\u00e4sentieren nicht nur sich selbst, sondern auch ihre Kollegen, die es nicht leicht haben, sich gegen die \u00dcbermacht gr\u00f6\u00dferer L\u00e4nder mit ihren bedeutend st\u00e4rkeren Medienindustrien behaupten zu k\u00f6nnen. Die Preistr\u00e4gerinnen und Preistr\u00e4ger stehen f\u00fcr eine lebendige \u00f6sterreichische Musikkultur, die dieses Land weltweit repr\u00e4sentiert und deren Leistungen (auch f\u00fcr den \u201eStandort \u00d6sterreich\u201c) kaum zu \u00fcbersch\u00e4tzen sind und daher unbedingt betreut und gef\u00f6rdert werden m\u00fcssen.<\/p>\n

Zudem transportiert der Pasticciopreis auch das Anliegen, dass die interessierte \u00d6ffentlichkeit mehr \u00fcber die Arbeit und den Reichtum der \u00f6sterreichischen Musikszene erf\u00e4hrt.<\/p>\n

Warum ein Musikpreis?<\/b><\/p>\n

Das Kultur \u2013 und Musikland \u00d6sterreich f\u00f6rdert so seinen Nachwuchs, der das Image dieses Landes in der ganzen Welt auch in Zukunft positiv beeinflussen wird, was sowohl der Wirtschaft (positive Assoziationen zum \u201eStandort \u00d6sterreich) als auch dem Kulturexport entgegenkommt.<\/p>\n","protected":false},"excerpt":{"rendered":"

Programm: SACD 1 total playing time 70:55 Beat Furrer\u00a0(*1954) [01]\u00a0Spur\u00a0for piano and string quartet (1998)\u00a0\u00a012:40 Hsin-Huei Huang, piano \u00b7\u00a0stadler quartett Mauricio Sotelo\u00a0(*1961) [02]\u00a0Aud\u00e9eis\u00a0for voice and string quartet (2004)\u00a0\u00a023:03 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arc\u00e1ngel, flamenco voice \u00b7 stadler quartett Beat Furrer [03]\u00a0Xenos\u00a0for ensemble (2008)\u00a0\u00a009:13 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Ensemble Contrechamps\u00a0\u00b7 Beat Furrer, conductor Gy\u00f6rgy Kurt\u00e1g\u00a0(*1926) \u2026quasi una fantasia\u2026\u00a0op. 27\/1 for piano and instrument […]<\/p>\n","protected":false},"featured_media":3082,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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