{"id":3126,"date":"2009-11-26T17:34:09","date_gmt":"2009-11-26T17:34:09","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=3126"},"modified":"2025-01-07T15:01:45","modified_gmt":"2025-01-07T14:01:45","slug":"alberto-ginastera-popol-vuh-cantata-para-america-magica","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/alberto-ginastera-popol-vuh-cantata-para-america-magica\/","title":{"rendered":"Alberto Ginastera: Popol Vuh – Cantata para Am\u00e9rica M\u00e1gica"},"content":{"rendered":"

Infotext:<\/p>\n

Die unb\u00e4ndige Kraft pr\u00e4kolumbianischer Mythen, neu geboren in einer modernen Sprache.\u00a0Stefan Asbury<\/a>\u00a0bringt das WDR Sinfonieorchester K\u00f6ln zum Brodeln, wenn\u00a0Alberto Ginastera<\/b>\u00a0in seinem Sp\u00e4twerk \u201ePopol Vuh\u201c (1975\u201383) die Sch\u00f6pfungsgeschichte der Mayas erz\u00e4hlt. Um die Stimme des Menschen in dieser untergegangenen Kultur geht es in der dramatischen \u201eCantata para Am\u00e9rica M\u00e1gica\u201c (1960) auf Worte von Mercedes de Toro. Die Protagonistin\u00a0Rayanne Dupuis<\/a>\u00a0intoniert Gebete, Liebes- und Abschiedslieder, umzingelt von einem bunt schillernden Klangapparat: dem Schlagzeugensemble der Hochschule f\u00fcr Musik K\u00f6ln, dem\u00a0Ensemble S<\/a>\u00a0und dem\u00a0Bugallo-Williams Piano Duo<\/a>.<\/p>\n

Programm:<\/p>\n

Popol Vuh<\/b>\u00a0op. 44 (1975\u20131983)\u00a025:16
\n<\/b>La creaci\u00f3n del mundo maya \u00b7 The Creation of the Mayan World
\nfor orchestra<\/p>\n

[01] I La noche de los tiempos<\/b>\u00a006:35
\nDie Nacht der Zeiten \u00b7 The Everlasting Night \u00b7 La nuit des temps
\n<\/span><\/p>\n

[02] II El nacimiento de la tierra 04:30
\nDie Geburt der Erde \u00b7 The Birth of the Earth \u00b7 La naissance de la terre<\/p>\n

[03] III El despertar de la naturaleza 04:55
\nDas Erwachen der Natur \u00b7 Nature Wakes \u00b7 L\u2019\u00e9veil de la nature<\/p>\n

[04] IV El grito de la creaci\u00f3n 00:40
\nDer Schrei der Sch\u00f6pfung \u00b7 The Cry of Creation \u00b7 Le cri de la cr\u00e9ation<\/p>\n

[05] V La gran lluvia 02:43
\nDer gro\u00dfe Regen \u00b7 The Grand Rain \u00b7 La grande pluie<\/p>\n

[06] VI La ceremonia m\u00e1gica del ma\u00edz 02:39
\nDie Magische Maiszeremonie \u00b7 The Magic Ceremony of Indian Corn \u00b7 La c\u00e9r\u00e9monie magique du ma\u00efs
\n<\/span><\/p>\n

[07] VII El sol, la luna, las estrellas 03:14
\nDie Sonne, der Mond, die Sterne \u00b7 The Sun, the Moon, the Stars \u00b7 Le soleil, la lune, les \u00e9toiles<\/p>\n

Cantata para Am\u00e9rica M\u00e1gica<\/b>\u00a0op. 27 (1960)\u00a024:18
\n<\/b>for dramatic soprano and percussion orchestra
\non poems by Mercedes de Toro after ancient pre-Columbian manuscripts<\/p>\n

[08] I Preludio y canto a la aurora 04:56
\nVorspiel und Gesang an den Sonnenaufgang \u00b7 Prelude and Song of Dawn \u00b7 Pr\u00e9lude et chant \u00e0 l\u2019aurore
\n<\/span><\/p>\n

[09] II Nocturno y canto de amor 03:59
\nNocturne und Liebesgesang \u00b7 Nocturne and Love Song \u00b7 Nocturne et chant d\u2019amour<\/p>\n

[10] III Canto para la partida de los guerreros 02:08
\nGesang zum Aufbruch der Krieger \u00b7 Song for the Warriors\u2019 Departure \u00b7 Chant pour le d\u00e9part des guerriers
\n<\/span><\/p>\n

[11] IV Interludio fant\u00e1stico 03:51
\nFantastisches Zwischenspiel \u00b7 Fantastic Interlude \u00b7 Interlude fantastique<\/p>\n

[12] V Canto de agon\u00eda y desolaci\u00f3n 05:36
\nGesang von Agonie und Verzweiflung \u00b7 Song of Agony and Desolation \u00b7 Chant d\u2019agonie et de d\u00e9solation<\/p>\n

[13] VI Canto de la profec\u00eda 03:49
\nProphetischer Gesang \u00b7 Song of Prophecy \u00b7 Chant de la proph\u00e9tie<\/p>\n

total time: 49:46<\/b><\/p>\n

WDR Sinfonieorchester K\u00f6ln<\/a><\/p>\n

Rayanne Dupuis<\/a>, soprano<\/p>\n

Bugallo-Williams Piano Duo<\/a><\/p>\n

Ensemble_S<\/a>\u00a0(Norbert Kr\u00e4mer \u00b7 Arnold Marinissen \u00b7 Stephan Meier \u00b7 Adam Weisman)<\/p>\n

Schlagzeugensemble der Musikhochschule K\u00f6ln<\/a>
\n(Sjoerd Ceelen\u2009\u00b7\u2009Jelle Overheul\u2009\u00b7\u2009Rik van Wijgerden\u2009\u00b7\u2009Wouter de Winne
\nCarlos Tarcha \u00b7 Benjamin Schmidt\u2009\u00b7\u2009Paul Altmann\u2009\u00b7\u2009Frank Lorenz \u00b7 Feliks Zakurin
\nHana Yoo\u2009\u00b7\u2009Cezara Dafina Pop, percussion \u00b7 Yumi Kimachi, celesta)
\nStephan Meier, rehearsals \u00b7 Prof. Carlos Tarcha, director<\/p>\n

Stefan Asbury<\/a>, conductor<\/p>\n

Pressestimmen:<\/p>\n

<\/p>\n

I first encountered\u00a0Popol Vuh<\/i>\u00a0on a Naxos CD from Gis\u00e8le Ben-Dor and the BBC National Orchestra of Wales, which was warmly received by Hubert Culot. That well-filled disc includes Ginastera\u2019s ballet\u00a0Estancia<\/i>, the\u00a0Danza final<\/i>\u00a0of which is the most exhilarating music I know; played with idiomatic vitality and verve by the London Symphony Orchestra it\u2019s a pick-me-up that will also give your woofers a workout. The latter applies to parts of\u00a0Popol Vuh<\/i>, an account of the Mayan creation transcribed by a 16th-century Dominican missionary; which is one reason why I was so looking forward to this Neos SACD.<\/p>\n

Conductor Stefan Asbury is new to me, although his online profile confirms he has appeared with some of the world\u2019s major orchestras. He\u2019s also known for innovative programming, as this pairing of\u00a0Popol Vuh<\/i>\u00a0and the otherwise unrecorded\u00a0Cantata para Am\u00e9rica M\u00e1gica<\/i>\u00a0demonstrates. I suspect\u00a0Popol Vuh<\/i>, described as Ginastera\u2019s\u00a0Rite of Spring<\/i>, will have the broadest appeal, given its exotic scoring and raw primitivism. Unfinished when the composer died in 1983 it remains a solid and compelling piece, very different from the easy exuberance of his earlier works, the ballets\u00a0Estancia<\/i>\u00a0and\u00a0Panambi<\/i>\u00a0in particular.<\/p>\n

The Everlasting Night<\/i>\u00a0is characterised by dark strings and slow, primordial stirrings in the rest of the orchestra, all of which is superbly caught by the Neos engineers. The growling brass – not so prominent on the Naxos recording – are especially impressive, and the weird timp figures in\u00a0The Birth of the Earth<\/i>\u00a0are thoroughly unsettling too. That said it\u2019s the explosive, atavistic rhythms that are most reminiscent of\u00a0Le sacre<\/i>, although Ginastera uses his bass drum and percussion sparingly.<\/p>\n

There\u2019s some evocative writing in\u00a0Nature Awakes<\/i>\u00a0which, along with\u00a0The Grand Rain<\/i>, manages to avoid the usual colouristic clich\u00e9s.<\/p>\n

Indeed, there\u2019s an economy and originality of utterance here that\u2019s most attractive, and the detailed, well-balanced sonics – individual instruments are convincingly arrayed on a wide, deep soundstage – underlines that. One senses also that Asbury isn\u2019t one to surrender control, even in the powerful, punctuating rhythms of\u00a0The Magic Ceremony of the Indian Corn<\/i>\u00a0and the orchestral supernovae of\u00a0The Sun, the Moon, the Stars<\/i>. As much as I enjoy Ben-Dor\u2019s excellent performance – it\u2019s a decent recording and the disc offers a number of other well-played Ginastera pieces – Asbury\u2019s\u00a0Popol Vuh<\/i>\u00a0is now my first choice; as a bonus the Neos sound is first rate on both the RBCD and stereo Super Audio layers.<\/p>\n

For all its felicities, the cantata – a collection of poems by Mercedes de Toro, based on pre-Colombian manuscripts – is compromised by the distractingly wide vibrato of soprano Rayanne Dupuis. She struggles to stay on the note and is audibly taxed by the fast, impassioned writing of the\u00a0Song for the Warriors\u2019 Departure<\/i>. The piano duo and various percussion groups are excellent though, and as before they are well recorded. The gurgle and shimmer of the instrumental\u00a0Fantastic Interlude<\/i>\u00a0is a sonic delight, and although Dupuis is more ingratiating in the quieter moments of the\u00a0Song of Agony and Desolation<\/i>\u00a0she seems a little too distant in the concluding\u00a0Song of Prophecy<\/i>.<\/p>\n

This disc is worth acquiring for\u00a0Popol Vuh<\/i>, but the variable soloist in the cantata and the very short playing time might deter some listeners. In terms of bang for your buck Ben-Dor\u2019s collection is still very desirable, not least for her intoxicating accounts of\u00a0Panambi<\/i>,\u00a0Estancia<\/i>\u00a0and Ollantay. What a pity that Neos blot their copybook with a double-gatefold Digipak; after just a couple of hours it\u2019s already looking creased and scuffed.<\/p>\n

Popol Vuh<\/i>\u00a0gets a first-rate performance; the cantata isn\u2019t so fortunate.<\/p>\n

Dan Morgan<\/i><\/p>\n

 <\/p>\n


\nNo. 6\/2012<\/p>\n

<\/p>\n

 <\/p>\n


\n20.03.2010<\/p>\n

<\/p>\n

 <\/p>\n


\n02\/2010<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Infotext: Die unb\u00e4ndige Kraft pr\u00e4kolumbianischer Mythen, neu geboren in einer modernen Sprache.\u00a0Stefan Asbury\u00a0bringt das WDR Sinfonieorchester K\u00f6ln zum Brodeln, wenn\u00a0Alberto Ginastera\u00a0in seinem Sp\u00e4twerk \u201ePopol Vuh\u201c (1975\u201383) die Sch\u00f6pfungsgeschichte der Mayas erz\u00e4hlt. Um die Stimme des Menschen in dieser untergegangenen Kultur geht es in der dramatischen \u201eCantata para Am\u00e9rica M\u00e1gica\u201c (1960) auf Worte von Mercedes de […]<\/p>\n","protected":false},"featured_media":3127,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[26],"product_tag":[],"class_list":{"0":"post-3126","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-zeitgenossische-musik","7":"pa_artikelnummer-neos-10918","8":"pa_brand-neos-music","9":"pa_ean-671","10":"desktop-align-left","11":"tablet-align-left","12":"mobile-align-left","14":"first","15":"outofstock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"yoast_head":"\nAlberto Ginastera: Popol Vuh - Cantata para Am\u00e9rica M\u00e1gica - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/alberto-ginastera-popol-vuh-cantata-para-america-magica\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alberto Ginastera: Popol Vuh - Cantata para Am\u00e9rica M\u00e1gica - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Infotext: Die unb\u00e4ndige Kraft pr\u00e4kolumbianischer Mythen, neu geboren in einer modernen Sprache.\u00a0Stefan Asbury\u00a0bringt das WDR Sinfonieorchester K\u00f6ln zum Brodeln, wenn\u00a0Alberto Ginastera\u00a0in seinem Sp\u00e4twerk \u201ePopol Vuh\u201c (1975\u201383) die Sch\u00f6pfungsgeschichte der Mayas erz\u00e4hlt. 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