{"id":3152,"date":"2009-09-02T21:03:00","date_gmt":"2009-09-02T21:03:00","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=3152"},"modified":"2022-11-19T21:04:37","modified_gmt":"2022-11-19T21:04:37","slug":"karlheinz-stockhausen-karl-amadeus-hartmann-aribert-reimann-joerg-widmann-matthias-pintscher-iannis-xenakis-james-dillon-beat-furrer-giacinto-scelsi-chaya-czernowin-kaija-saariaho-liza-lim","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/karlheinz-stockhausen-karl-amadeus-hartmann-aribert-reimann-joerg-widmann-matthias-pintscher-iannis-xenakis-james-dillon-beat-furrer-giacinto-scelsi-chaya-czernowin-kaija-saariaho-liza-lim\/","title":{"rendered":"Karlheinz Stockhausen, Karl Amadeus Hartmann, Aribert Reimann, J\u00f6rg Widmann, Matthias Pintscher, Iannis Xenakis, James Dillon, Beat Furrer, Giacinto Scelsi, Chaya Czernowin, Kaija Saariaho, Liza Lim, Rebecca Saunders, Adriana H\u00f6lszky: musica viva festival 2008"},"content":{"rendered":"

Infotext:<\/p>\n

Musica Viva: Festival 2008<\/b><\/p>\n

Hochkar\u00e4tige Orchester, Ch\u00f6re und Solisten gestalteten Anfang 2008 gemeinsam das erste Musica Viva Festival. Die vorliegende Auswahl von Aufnahmen zeigt Perspektiven und m\u00f6gliche Traditionslinien auf. \u201eSymphonie L\u2019\u0152uvre\u201c (1937\/38) von Karl Amadeus Hartmann, ein Pl\u00e4doyer f\u00fcr die Freiheit der Gedanken und Kl\u00e4nge, wird zum Impulsgeber f\u00fcr Bekenntnismusik der Gegenwart:\u00a0Matthias Pintscher<\/a>s \u201eH\u00e9rodiade-Fragmente\u201c ebenso wie Aribert Reimanns \u201eCantus\u201c mit dem Solisten\u00a0J\u00f6rg Widmann<\/a>, der zugleich als Komponist pr\u00e4sent ist \u2013 mit \u201eArmonica\u201c, einer rasanten, raffinierten Studie \u00fcber die Klang-Aspekte von Akkordeon und Glasharfe.<\/p>\n

Zwei Werke aus der Zeit um 1970 werden auf einer anderen CD quasi zu sinfonischen Ecks\u00e4tzen gemacht: \u201eAntikhthon\u201c von\u00a0Iannis Xenakis<\/a>\u00a0und \u201eUaxuctum\u201c von\u00a0Giacinto Scelsi<\/a>. Mit kompromissloser H\u00e4rte umschlie\u00dfen sie Neues \u2013 \u201eLa navette\u201c von\u00a0James Dillon<\/a>\u00a0wird so zum nachdenklichen Adagio und\u00a0Beat Furrer<\/a>s Klavierkonzert zum Scherzo-Schattenspiel.<\/p>\n

Kammermusik von\u00a0Kaija Saariaho<\/a>,\u00a0Liza Lim<\/a>\u00a0und\u00a0Rebecca Saunders<\/a>\u00a0leitet \u00fcber zum atemlosen \u201eCountdown\u201c von\u00a0Adriana H\u00f6lszky<\/a>, nach Tagebuchnotizen eines Obdachlosen-Autors mit dem Decknamen Ver du Bois (\u201eHolzwurm\u201c). Mystisch-gr\u00fcbelnde Formen des Erz\u00e4hlens erproben die \u201ePilgerfahrten\u201c von\u00a0Chaya Czernowin<\/a>, frei nach einer Mumin-Geschichte von Tove Jansson.<\/p>\n

Traditionelle Musik aus \u00c4gypten und dem Iran konterkariert und bereichert das Programm. Er\u00f6ffnet wird es durch ein Hauptwerk von\u00a0Karlheinz Stockhausen<\/a>: \u201eMixtur\u201c in der Neufassung von 2003. Unersch\u00f6pflich reiche Klang- und Ger\u00e4uschvisionen, die der Komponist als \u201eFarbglissandi\u201c, \u201eZupfwolken\u201c, \u201eKlirrfl\u00e4chen\u201c, \u201eschlummernde Farbfl\u00f6ze\u201c auch sprachlich fantasievoll definiert hat.<\/p>\n

Programm:<\/p>\n


\nSACD 1
\n<\/b>total playing time 58:42<\/p>\n

Karlheinz Stockhausen<\/b>\u00a0[1928 \u2013 2007]
\nMIXTUR 2003<\/b>\u00a0[2003]
\nfor 5 orchestra groups, 4 sine-wave generator players, 4 sound mixers, with 4 ring modulators and sound projectionist<\/p>\n

[1]\u00a0Forward version<\/b>\u00a029:04<\/p>\n

[2]\u00a0Retrograde version<\/b>\u00a029:37<\/p>\n

EXPERIMENTALSTUDIO des SWR
\nsound director Andr\u00e9 Richard<\/p>\n

Symphonieorchester des Bayerischen Rundfunks
\nconducted by\u00a0Lucas Vis<\/a><\/p>\n

live recording
\n25 January 2008
\nHerkulessaal der Residenz, Munich<\/p>\n


\nSACD 2
\n<\/b>total playing time 71:12<\/p>\n

Karl Amadeus Hartmann<\/b>\u00a0[1905\u2013 1963]
\nSYMPHONIE \u203aL\u2019OEUVRE\u2039<\/b>\u00a0[1937\/38] 22:39<\/p>\n

[1 ] 1. Satz:\u00a0Toccata variata<\/b>\u00a011:22<\/p>\n

[2]\u00a0 2. Satz:\u00a0Adagio<\/b>\u00a011:17<\/p>\n

Aribert Reimann<\/b>\u00a0[*1936]
\n[3]\u00a0CANTUS<\/b>\u00a0[2006] 15:32
\nfor clarinet and orchestra<\/p>\n

J\u00f6rg Widmann<\/b>\u00a0[*1973]
\n[4]\u00a0ARMONICA<\/b>\u00a0[2006] 13:13
\nfor orchestra<\/p>\n

Matthias Pintscher<\/b>\u00a0[*1971]
\n[5]\u00a0H\u00c9RODIADE-FRAGMENTE<\/b>\u00a0[1999] 19:46
\nDramatic scenes for soprano and orchestra<\/p>\n

J\u00f6rg Widmann<\/a>, clarinet [3]
\nMarisol Montalvo, soprano[5]<\/p>\n

Symphonieorchester des Bayerischen Rundfunks
\nconducted by\u00a0Emilio Pom\u00e0rico<\/a>\u00a0[1\u20132]<\/p>\n

Deutsche Radio Philharmonie Saarbru\u0308cken Kaiserslautern
\nconducted by\u00a0Christoph Poppen<\/a>\u00a0[3\u20135]<\/p>\n

live recording
\n15 February 2008 [1\u20132] \/ 9 February 2008 [3\u20135]
\nHerkulessaal der Residenz, Munich<\/p>\n


\nSACD 3
\n<\/b>total playing time 73:36<\/p>\n

Iannis Xenakis<\/b>\u00a0[1922\u20132001]
\n[1]\u00a0ANTIKHTHON<\/b>\u00a0[1971] 19:23
\nfor orchestra<\/p>\n

James Dillon<\/b>\u00a0[*1950]
\n[2]\u00a0LA NAVETTE<\/b>\u00a0[2001] 19:17
\nfor orchestra<\/p>\n

Beat Furrer<\/b>\u00a0[*1954]
\n[3]\u00a0KONZERT F\u00dcR KLAVIER UND ORCHESTER<\/b>\u00a0[ 2007] 16:45
\nConcerto for Piano and Orchestra<\/p>\n

Giacinto Scelsi<\/b>\u00a0[1905\u2013 1988]
\n[4\u2013 8]\u00a0UAXUCTUM<\/b>\u00a0[1966] 18:08
\nfor 7 percussionists, timpanist, chorus and orchestra<\/p>\n

[4]\u00a0I<\/b>\u00a005:36
\n<\/span>
\n[5]\u00a0II<\/b>\u00a003:39
\n[6]\u00a0III<\/b>\u00a002:47
\n[7]\u00a0IV<\/b>\u00a002:47
\n[8]\u00a0V<\/b>\u00a003:19<\/p>\n

Nicolas Hodges<\/a>, piano[3]<\/p>\n

WDR Sinfonieorchester K\u00f6ln
\nconducted by\u00a0Brad Lubman<\/a>\u00a0[1\/3]<\/p>\n

Deutsche Radio Philharmonie Saarbru\u0308cken Kaiserslautern
\nconducted by\u00a0Christoph Poppen<\/a>\u00a0[2]<\/p>\n

Chor und Symphonieorchester des Bayerischen Rundfunks
\nconducted by\u00a0Emilio Pom\u00e0rico<\/a>\u00a0[4\u20138]<\/p>\n

live recording
\n3 February 2008 [1\/3] \/ 9 February 2008 [2] \/ 15 February 2008 [4\u20138]
\nHerkulessaal der Residenz, Munich<\/p>\n


\nSACD 4
\n<\/b>total playing time 48:34<\/p>\n

Chaya Czernowin<\/b>\u00a0[*1957]
\nPILGERFAHRTEN<\/b>\u00a0[2006\/2007]
\nfor speaker, treble choir, and instruments after texts by Tove Jansson and Stefan George<\/p>\n

[1]\u00a0Part A<\/b>\u00a009:47
\n[2]\u00a0Part B<\/b>\u00a016:53
\n[3]\u00a0Part C<\/b>\u00a021:53<\/p>\n

Matthias Bundschuh, speaker<\/p>\n

Dresdner Kreuzchor<\/p>\n

Ensemble Courage
\nconducted by\u00a0Roderich Kreile<\/a><\/p>\n

live recording
\n2 February 2008
\nHerkulessaal der Residenz,Munich<\/p>\n


\nSACD 5
\n<\/b>total playing time 69:20<\/p>\n

Kaija Saariaho<\/b>\u00a0[*1952]
\n[1\u2013 2]\u00a0VENT NOCTURNE<\/b>\u00a0[2006] 22:50
\nfor viola and electronics<\/p>\n

[1]\u00a0I<\/b>\u00a008:09
\n[2]\u00a0II<\/b>\u00a014:41<\/p>\n

Liza Lim<\/b>\u00a0[*1966]
\n[3]\u00a0OCHRED STRING<\/b>\u00a0[2007] 12:45
\nfor oboe, viola, violoncello and double bass<\/p>\n

Rebecca Saunders<\/b>\u00a0[*1967]
\n[4]\u00a0BLUE AND GRAY<\/b>\u00a0[2006] 10:10
\nfor two double basses<\/p>\n

Adriana H\u00f6lszky<\/b>\u00a0[*1953]
\n[5]\u00a0COUNTDOWN [<\/b>2007] 31:40
\nScenic concert piece after texts by Ver du Bois<\/p>\n

Nimrod Guez, viola [1\u20132\/3]
\nJosh Martin, live electronics [1\u20132]
\nStefan Schilli, oboe [3]
\nSebastian Klinger, violoncello [3]
\nPhilipp Stubenrauch [3\/4];\u00a0Frank Reinecke<\/a>\u00a0[4], double bass
\nDaniel Gloger, countertenor [5]
\nMalte Burba; Georg Birner; Lutz Mandler; Paul Hu\u0308bner, alphorn, trumpet [5]
\nArmin Rosin; Berthold Schick; Dieter Eckert; Viacheslau Chumachenko, alphorn, trombone [5]
\nMarkus Stange; Anna Zassimova; Yukiko Naito; Ju\u0308rg Henneberger, piano [5]
\nThomas Hastreiter; Sebastian Hausl; Wolfram Winkel; Alexander Gl\u00f6ggler; Philipp Jungk; Martin Ruhland; Werner Hoffmeister; Stefan Blum, percussion [5]<\/p>\n

conducted by\u00a0R\u00fcdiger Bohn<\/a>\u00a0[5]<\/p>\n

live recording
\n10 February 2008 [1\u20134]
\nMuseum Villa Stuck,Munich
\n8 February 2008 [5]
\nMuffathalle,Munich<\/p>\n


\nCD 6
\n<\/b>total playing time 61:28<\/p>\n

TRADITIONAL MUSIC FROM EGYPT AND PERSIA<\/b><\/p>\n

SONGS OF THE SUFIS playing time 29:34
\n[1]\u00a0Improvisation<\/b>\u00a01 14:17<\/p>\n

[2]\u00a0Improvisation<\/b>\u00a02 15:17<\/p>\n

Ensemble Sheik Ahmad Al Tuni<\/b><\/p>\n

PERSIAN DRUMMERS<\/b>\u00a031:51
\n[3]\u00a0Tchai Kuneh<\/b>\u00a010:43
\n[4]\u00a0Fada<\/b>\u00a008:59
\n[5]\u00a0Tappeh<\/b>\u00a008:08
\n[6]\u00a0Molla Nasrdin<\/b>\u00a004:01<\/p>\n

Trio Chemirani<\/p>\n

live recording
\n27 January 2008
\nMuffathalle,Munich<\/p>\n","protected":false},"excerpt":{"rendered":"

Infotext: Musica Viva: Festival 2008 Hochkar\u00e4tige Orchester, Ch\u00f6re und Solisten gestalteten Anfang 2008 gemeinsam das erste Musica Viva Festival. 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