{"id":3156,"date":"2009-08-17T21:06:53","date_gmt":"2009-08-17T21:06:53","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=3156"},"modified":"2023-01-09T17:32:25","modified_gmt":"2023-01-09T17:32:25","slug":"franz-schubert-dmitri-shostakovich-grand-duo","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/franz-schubert-dmitri-shostakovich-grand-duo\/","title":{"rendered":"Franz Schubert , Dmitri Shostakovich: Grand Duo"},"content":{"rendered":"

Infotext:<\/p>\n

Orchestrale Musik f\u00fcr Klavier zu vier H\u00e4nden, punktgenau und schn\u00f6rkellos interpretiert: Franz Schuberts \u201eGrand Duo\u201c von 1824 in Gegen\u00fcberstellung mit der 5. Symphonie von Dmitri Schostakowitsch aus dem Jahr 1937 (in einer vom Komponisten autorisierten Bearbeitung). Hier die Reduktion eines realen Orchesterklangs \u2013 dort ein romantischer Ausdruckswille, der an die Grenzen des Instruments vorst\u00f6\u00dft, vielleicht auch \u00fcber sie hinaus will. Hier eine Festlichkeit, die ins Unheimliche umschl\u00e4gt \u2013 dort die Doppelb\u00f6digkeit lyrischer Passagen zwischen schroffen Klangbl\u00f6cken. Historische Distanz wird nicht verschleiert, sondern betont; in diesem Bewusstsein korrespondiert das ferne Donnern im \u201eGrand Duo\u201c durchaus irritierend mit den gellenden Schlusst\u00f6nen der Symphonie.<\/p>\n

Programm:<\/p>\n

Grand Duo
\nSchubert \u2013 Shostakovich<\/b><\/p>\n

Franz Schubert<\/b>\u00a0(1797\u20131824)
\nSonata in C major, D 812 \u201cGrand Duo\u201d<\/b>\u00a0(1824) 37:15
\nfor piano four hands
\n[01] Allegro moderato 12:34
\n[02] Andante 10:13
\n<\/span><\/p>\n

[03] Scherzo and Trio (Allegro vivace) 05:11
\n[04] Finale (Allegro vivace) 09:17<\/p>\n

Dmitri Shostakovich<\/b>\u00a0(1906\u20131975)
\nSymphony No. 5 in D minor, op. 47<\/b>\u00a0(1937) 42:35
\nVersion for piano four hands
\n[05] Moderato 14:59
\n<\/span><\/p>\n

[06] Allegretto 05:17
\n[07] Largo 11:36
\n[08] Allegro non troppo 10:43<\/p>\n

total time: 39:55<\/p>\n

GrauSchumacher Piano Duo<\/a><\/p>\n

Pressestimmen:<\/p>\n


\n01\/2010<\/p>\n

<\/p>\n


\n25.11.2009<\/p>\n

Auf sicherem Fundament<\/b><\/p>\n

\u00dcber 25 Jahre spielt das Klavierduo Andreas Grau und G\u00f6tz Schumacher \u2013 seit einiger Zeit unter dem zusammengezogenen Markennamen \u2018GrauSchumacher\u2019 \u2013 nunmehr zusammen und darf innerhalb seiner Zunft einen f\u00fchrenden Platz beanspruchen. Aus dem kollegialen Rahmen fallen sie eigentlich nur dadurch, dass es sich bei ihnen im Gegensatz zu den namhaften Duos Lab\u00e8que, Pekinel, Kontarsky oder Paratore nicht um ein Geschwisterpaar handelt. In Koproduktion mit dem SWR haben GrauSchumacher nun f\u00fcr das Label Neos Werke von Schubert und Schostakowitsch aufgenommen.<\/p>\n

Zur durchaus gel\u00e4ufigen vierh\u00e4ndigen Literatur geh\u00f6rt Schuberts C-Dur-Sonate D 812 mit dem Beinamen \u201aGrand Duo\u2019. Letzteren hat sie wie so oft nicht vom Komponisten, sondern in diesem Fall erst nach dessen Tod aus verkaufstaktischen Gr\u00fcnden vom Verleger erhalten. Ihre klangliche Weitschweifigkeit war schon Robert Schumann aufgefallen, der sie in einem Artikel besprach und ihren sinfonischen Charakter hervorhob. Die vielf\u00e4ltigen thematischen Schichten des Kopfsatzes verdeutlichen bereits, dass zwischen beiden Klavierpartnern blindes Verst\u00e4ndnis herrscht. Mit sicherer Diktion werden Akkordakzente und agogische Impulse gesetzt, mit sicherer Balance greifen die Stimmen in- und die Klangschichten \u00fcbereinander. Musikalisch pointiert schreitet das ‚Andante\u2019 dahin, das Scherzo tobt sich mit vitalem Elan aus, und im ‚Allegro vivace\u2019 verschmelzen geschmeidige Virtuosit\u00e4t mit zwingendem musikalischem Fluss.<\/p>\n

In denkbar starkem programmatischem Kontrast hierzu ist das zweite Werk der CD gew\u00e4hlt. Mit der Fassung f\u00fcr zwei Klaviere von Schostakowitschs F\u00fcnfter Symphonie begeben sich GrauSchumacher auf weitaus seltener beschrittenes Terrain. Die Bearbeitung stammt nicht, wie man vielleicht meinen k\u00f6nnte, von fremder Hand. Schostakowitsch hat die Version selbst angefertigt und als einer der beiden Klavierpartner auch eigenh\u00e4ndig zur Auff\u00fchrung gebracht. Im Einleitungssatz entfalten beide einen Klangteppich, dessen Fasern verl\u00e4sslich fest und gleichm\u00e4\u00dfig gekn\u00fcpft sind. Auch die n\u00f6tige, sich allm\u00e4hlich, aber unaufhaltsam entladende Wucht und Energie werden darin frei.<\/p>\n

Das Fundament der sinfonischen Architektur tr\u00e4gt auch in den darauffolgenden S\u00e4tzen sicher und l\u00e4uft zu keiner Zeit Gefahr, auseinanderzubrechen. Eingangs des ‚Largo\u2019 d\u00fcrften beide zwar noch ein wenig mehr den musikalischen Atem anhalten, daf\u00fcr gelingt der von einem Tremolo-Hauch umwehte Mittelteil atmosph\u00e4risch atemberaubend dicht. Im ‚Allegro non troppo\u2019 h\u00e4tte die eine oder andere Diskantspitze vielleicht noch sch\u00e4rfer und provozierender gesetzt werden k\u00f6nnen, das Gesamtergebnis unterstreicht aber, weshalb GrauSchumacher mit an vorderster Front der renommierten Klavierduos spielen.<\/p>\n

Interpretation:\u00a0
\nKlangqualit\u00e4t:\u00a0
\nRepertoirewert:\u00a0
\nBooklet:\u00a0<\/p>\n

Thomas Gehrig<\/p>\n

Infopaket f\u00fcr Presse und Vertriebe\u00a0\u00bb<\/a>
\n(ZIP-Archiv, 1,3 MB)<\/p>\n","protected":false},"excerpt":{"rendered":"

Infotext: Orchestrale Musik f\u00fcr Klavier zu vier H\u00e4nden, punktgenau und schn\u00f6rkellos interpretiert: Franz Schuberts \u201eGrand Duo\u201c von 1824 in Gegen\u00fcberstellung mit der 5. Symphonie von Dmitri Schostakowitsch aus dem Jahr 1937 (in einer vom Komponisten autorisierten Bearbeitung). Hier die Reduktion eines realen Orchesterklangs \u2013 dort ein romantischer Ausdruckswille, der an die Grenzen des Instruments vorst\u00f6\u00dft, […]<\/p>\n","protected":false},"featured_media":3157,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[882,26],"product_tag":[],"class_list":{"0":"post-3156","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-klavier","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-20801","9":"pa_brand-neos-music","10":"pa_ean-699","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"\nFranz Schubert , Dmitri Shostakovich: Grand Duo - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/franz-schubert-dmitri-shostakovich-grand-duo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Franz Schubert , Dmitri Shostakovich: Grand Duo - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Infotext: Orchestrale Musik f\u00fcr Klavier zu vier H\u00e4nden, punktgenau und schn\u00f6rkellos interpretiert: Franz Schuberts \u201eGrand Duo\u201c von 1824 in Gegen\u00fcberstellung mit der 5. 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