{"id":3192,"date":"2008-11-30T12:43:33","date_gmt":"2008-11-30T12:43:33","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&p=3192"},"modified":"2023-01-13T23:23:59","modified_gmt":"2023-01-13T23:23:59","slug":"elliott-carter-happy-birthday-elliott-carter-new-chamber-works","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/elliott-carter-happy-birthday-elliott-carter-new-chamber-works\/","title":{"rendered":"Elliott Carter: Happy Birthday, Elliott Carter! – New Chamber Works"},"content":{"rendered":"

Infotext:<\/p>\n

HERZLICHEN GL\u00dcCKWUNSCH, ELLIOTT CARTER!<\/b><\/p>\n

Elliott Carter feiert am 11. Dezember 2008 seinen 100. Geburtstag. Und bis zum heutigen Tag schreibt er unerm\u00fcdlich neue und herausragende Musik voll ingeni\u00f6ser Erfindungskunst, Lebenskraft und Raffinesse. Die vorliegenden Aufnahmen j\u00fcngerer und j\u00fcngster Werke \u2013 drei davon als Weltersteinspielungen \u2013 sind Zeugen unserer gro\u00dfen Bewunderung, unserer ewigen Dankbarkeit und unseres immensen Vergn\u00fcgens, seine Musik zu spielen und sie mit ungebrochenem Enthusiasmus in alle Welt hinauszutragen.<\/p>\n

Programm:<\/p>\n\n\n\n
\n
\n

[01]\u00a0Mosaic<\/b>\u00a0(2004) for chamber ensemble 12:02
\n<\/span><\/p>\n

World Premiere Recording<\/i><\/p>\n

Ursula Holliger, harp\u00a0– Felix Renggli, flute\/alto flute\/piccolo
\nHeinz Holliger, oboe\/English horn
\nFran\u00e7ois Benda, clarinet\/bass clarinet
\nCarolin Widmann, violin\u00a0– J\u00fcrg D\u00e4hler, viola
\nDaniel Haefliger, violoncello\u00a0– Edicson Ruiz, double bass<\/p>\n

[02]\u00a0Figment IV<\/b>\u00a0(2007) for viola solo 03:14
\n<\/span><\/p>\n

World Premiere Recording<\/i><\/p>\n

J\u00fcrg D\u00e4hler, viola<\/p>\n

[03]\u00a0Enchanted Preludes<\/b>\u00a0(1988) for flute and violoncello 06:18
\n<\/span><\/p>\n

Felix Renggli, flute\u00a0– Daniel Haefliger, violoncello<\/p>\n

Tempo e Tempi<\/b>\u00a0(1998\/1999) for soprano and ensemble 15:01
\n[04] I Tempo e Tempi 02:05
\n[05] II Ed \u00e8 subito sera 00:46
\n[06] III Oboe sommerso 01:55
\n[07] IV Una Colomba 00:50
\n[08] V Godimento 01:07
\n[09] VI L\u2019Arno a Rovezzano 03:27
\n<\/span><\/p>\n

[10] VII Uno 01:19
\n[11] VIII Segreto del poeta 03:28<\/p>\n

Silvia Nopper, soprano\u00a0– Heinz Holliger, oboe\/English horn
\nElmar Schmid, clarinet\u00a0– J\u00fcrg D\u00e4hler, violin
\nDaniel Haefliger, violoncello<\/p>\n

[12]\u00a0HBHH<\/b>\u00a0(2007) for oboe solo 02:56
\n<\/span><\/p>\n

World Premiere Recording<\/i><\/p>\n

Heinz Holliger, oboe<\/p>\n

Two Fragments for String Quartet<\/b>\u00a007:22
\n[13] Fragment I (1994) 03:40
\n[14] Fragment II (1999) 03:41
\n<\/span><\/p>\n

Daria Zappa, 1st violin\u00a0– Esther Hoppe, 2nd violin
\nJ\u00fcrg D\u00e4hler, viola\u00a0– Daniel Haefliger, violoncello<\/p>\n

[15]\u00a0Oboe Quartet<\/b>\u00a0(2001) for oboe and string trio 15:51<\/p>\n

Emanuel Abb\u00fchl, oboe\u00a0– J\u00fcrg D\u00e4hler, violin
\nChristoph Schiller, viola\u00a0– Daniel Haefliger, violoncello<\/p>\n

total time 63:28<\/b><\/p>\n

Swiss Chamber Soloists<\/a><\/b><\/p>\n

Heinz Holliger<\/a>, oboe\/English horn\u00a0– Ursula Holliger, harp
\nSilvia Nopper, soprano\u00a0– Felix Renggli, flute\/alto flute\/piccolo
\nEmanuel Abb\u00fchl, oboe\u00a0– Fran\u00e7ois Benda, clarinet\/bass clarinet
\nElmar Schmid, clarinet<\/p>\n

J\u00fcrg D\u00e4hler<\/a>, violin\/viola\u00a0– Esther Hoppe, violin
\nCarolin Widmann, violin\u00a0– Daria Zappa, violin – Christoph Schiller, viola
\nDaniel Haefliger, violoncello\u00a0– Edicson Ruiz, double bass<\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Pressestimmen:<\/p>\n\n\n\n
\n
\n


\n11.05.2010<\/p>\n

<\/p>\n


\n28.12.2009<\/p>\n

Gelungene Hommage an Elliott Carter<\/b><\/p>\n

Unter dem Titel ‚Happy Birthday, Elliott Carter \u2013 New Chamber Works‘ ist beim Label NEOS eine ganz besondere Hommage an den amerikaischen Komponisten Elliott Carter anl\u00e4sslich dessen 100. Geburtstag gelungen. Carter, der am 11.12.1908 in New York geboren wurde, schloss bereits fr\u00fch Bekanntschaft mit Charles Ives, studierte bei Walter Piston und Gustav Holst an der Harvard University, sowie in Paris bei Nadja Boulanger. Ein wohl wichtiger Augenblick in seinem kompositorischen Leben scheint das Jahr 1950, in dem er sich aus New York in die Einsamkeit der W\u00fcste zur\u00fcckzieht und das betr\u00e4chtlichen Einfluss auf sein folgendes Schaffen aus\u00fcbt. Nun, \u00fcber 50 Jahre sp\u00e4ter, denkt er noch immer nicht ans Aufh\u00f6ren. Die CD, die anl\u00e4sslich seines 100. Geburtstages entstand, ist voll mit aktuellen Werken, allein drei Ersteinspielungen.<\/p>\n

Nicht ein Querschnitt eines langen Komponistenlebens, sondern die gegenw\u00e4rtige Schaffensphase wird hier dokumentiert. Carter, der f\u00fcr sein Werk zahlreiche Auszeichnungen erhalten hat, wird von Max Noubel im sehr informativen Booklet dieser CD als Komponist ‚voll ingeni\u00f6ser Erfindungskunst, Lebenskraft und Raffinesse‘ beschrieben, eine Bewunderung, der diese CD durch ein musikalisch hochwertiges Niveau Ausdruck verleiht.<\/p>\n

Die Zusammenstellung bildet eine bunte Palette der Kammermusik Carters. Beginnend mit ‚Mosaic‘, einem St\u00fcck, in dem Carter seiner Liebe zur Harfe und seiner Verehrung f\u00fcr dessen Virtuosen Carlos Salzedo Ausdruck verleiht, versteht es Ursula Holliger auf wunderbare Weise die Vielfalt der Ausdrucksm\u00f6glichkeiten ihres Instrumentes erklingen zu lassen. In beredter Zwiesprache kommuniziert sie gegenseitige Aktionen und Reaktionen mit dem Ensemble. Das folgende ‚Figment IV‘, ebensfalls eine Ersteinspielung, wird \u00fcberzeugend durch J\u00fcrg D\u00e4hler auf der Viola interpretiert, dem eine sehr glaubhafte Darstellung seines Instrumentes mit all seinen Facetten gelingt.<\/p>\n

In ‚Enchanted Preludes‘, das 1988 entstand und somit das \u00e4lteste Werk auf dieser CD ist, loten Felix Renggli\/Fl\u00f6te und Daniel Haefliger\/Violoncello gegenseitig gekonnt die Klangwelten zwischen Bl\u00e4ser und Streicher aus. Der Titel dieser St\u00fcckes entstammt einem Gedicht von Wallace Stevens ‚All the Preludes to Felicity‘. ‚Tempo e tempi‘ (1998\/99) ist ein Gesangszyklus f\u00fcr Sopran und vier Instrumente. Das Werk verarbeitet Gedichte von Eugenio Montale, Salvatore Quasimodo sowie Giuseppe Ungaretti. Sehr differenziert interpretiert Nopper die einzelnen S\u00e4tze, besonders \u00fcberzeugend gelingt jedoch der Satz ‚Godimento‘ indem sie den erregten Begleitstimmen eine flirrende innere Unruhe gegen\u00fcberstellt.
\n‚HBHH‘ ist ein ‚Geschenk‘ Carters an den Oboisten Heinz Holliger in dem er ihm zum Geburtstag gratuliert. In klangsch\u00f6ner Gestaltung schafft Holliger ein virtuos vielschichtiges Bild seines Instrumentes. H\u00f6hepunkt der CD bilden jedoch die Einspielung der ‚Fragments I‘ und II. V\u00f6llig organisch entfalten die vier Interpreten ein komplexes Klangbild, das trotz der K\u00fcrze der Zeit einen beeindruckend gro\u00dfen Reichtum an technischer und interpretatorischer Finesse entwickelt.<\/p>\n

Janina R\u00fcger<\/p>\n

<\/p>\n

Interpretation:
\nKlangqualit\u00e4t:
\nRepertoirewert:\u00a0
\nBooklet:\u00a0<\/p>\n

 <\/p>\n


\n09\/09<\/p>\n

<\/p>\n

 <\/p>\n


\n24.07.2009<\/p>\n

El condensado de un siglo<\/b><\/p>\n

En la, por lo tanto, muy longeva figura de Elliott Carter podemos escuchar ecos de estos compositores, especialmente de Arnold Schoenberg e Igor Stravinsky, de los que tan a menudo se dice que la obra de Carter supone una suerte de s\u00edntesis estil\u00edstica. El SACD que hoy rese\u00f1amos, editado en conmemoraci\u00f3n de los 100 a\u00f1os del compositor neoyorquino, es un perfecto ejemplo de ese car\u00e1cter, de ese sonido de fusi\u00f3n al que Carter siempre ha dotado de su muy buen hacer, de su trabajo artesanal, sin efectismos ni investigaciones m\u00e1s all\u00e1 de un lenguaje al que ha permanecido fiel durante d\u00e9cadas, y que como resultado ha deparado toda una serie de obras inconfundibles en sus presupuestos est\u00e9ticos. Piezas como los Enchanted Preludes (1988), Tempo e Tempi (1998-99) o Mosaic (2004) son un magn\u00edfico ejemplo de ello, as\u00ed como id\u00f3neas puertas de acceso para adentrarse y conocer el universo del (supongo) decano de los compositores contempor\u00e1neos en la actualidad.<\/p>\n

Two Fragments para cuarteto de cuerda (1994\/1999) y el Oboe Quartet (2001) son obras que apuestan por un lenguaje m\u00e1s pr\u00f3ximo a las vanguardias surgidas tanto en Norteam\u00e9rica como en Europa despu\u00e9s de la Segunda Guerra Mundial. Su est\u00e9tica es m\u00e1s compleja, y en el caso de los Two Fragments nos remite al universo de sus cinco cuartetos de cuerda, que desde 1951 a 1995 constituyeron toda una columna vertebral en el desarrollo del credo est\u00e9tico carteriano.<\/p>\n

La antes citada Mosaic, Figment IV para viola sola (2007) y HBHH para oboe solo (2007) son las primeras grabaciones mundiales que nos presenta este interesant\u00edsimo SACD, as\u00ed como la m\u00e1s clara demostraci\u00f3n de la buena forma y estado de creatividad de Elliott Carter, que firma estas tres piezas rondando ya la centena de a\u00f1os. Figment IV revela, seg\u00fan Max Noubel, una cierta naturaleza errante en la concepci\u00f3n musical de Carter, incapaz de realizarse en una sola direcci\u00f3n, y que en esta pieza juega con los m\u00faltiples ecos, asociaciones y rutas posibles asociadas al sonido de la viola. As\u00ed, de la melancol\u00eda y lirismo mel\u00f3dico del que nace la pieza, \u00e9sta evoluciona hacia un final agresivo y muy marcado, asom\u00e1ndose a los ecos expresionistas de su querido Schoenberg. HBHH nos recuerda que el propio Carter estudi\u00f3, adem\u00e1s de piano, oboe en sus a\u00f1os de Harvard. Heinz Holliger ha sido, con seguridad, el obo\u00edsta que m\u00e1s ha trabajado con el compositor neoyorquino en las \u00faltimas d\u00e9cadas, y fruto de esta relaci\u00f3n su \u00faltima pieza para este instrumento, que en su t\u00edtulo encierra una dedicatoria al obo\u00edsta suizo: Happy Birthday Heinz Holliger; algo que toma sustancia musical en las notas H(Si), B(La sostenido), H(Si), H(Si), que abren y cierran la obra. De nuevo, la composici\u00f3n se somete a una serie de transformaciones entre los motivos mel\u00f3dicos y las exploraciones de car\u00e1cter m\u00e1s r\u00edtmico, cuando no con espacio para el vibrante virtuosismo desplegado por el propio Holliger en los pasajes m\u00e1s incisivos.<\/p>\n

Las interpretaciones de todas las composiciones aqu\u00ed recogidas son extraordinarias y perfectamente referenciales para cada una de las piezas. Compuesto por magn\u00edficos solistas, entre los que nos encontramos a Ursula y Heinz Holliger, a Caroline Widmann o a Daniel Haefliger, el conjunto de los Swiss Chamber Soloists brinda estas obras con una calidad t\u00e9cnica y una perfecci\u00f3n exquisitas, al tiempo que con una adecuaci\u00f3n estil\u00edstica realmente sobresaliente, haciendo patentes los estilos antes mencionados y los matices diferenciales en las diversas obras de Carter. Valga la frase de Heinz Holliger contenida en el libreto de este SACD para comprender hasta qu\u00e9 punto la involucraci\u00f3n de estos m\u00fasicos es total con la obra del centenario compositor: \u201cLa m\u00fasica de Elliott Carter cabe entenderse, a mi juicio, como uno de los \u00faltimos y m\u00e1s profundos milagros que todav\u00eda puede ofrecernos nuestro mundo globalizado y \u2018administrado\u2019 hasta la muerte\u201d. La participaci\u00f3n de la soprano Silvia Nopper en Tempo e Tempi es igualmente ejemplar y encomiable.<\/p>\n

Las tomas sonoras de este compacto, con formatos CD y SACD 5.0 Surround DSD, son realmente extraordinarias, con una claridad, limpieza y cuerpo que hacen de la audici\u00f3n un verdadero placer. La presentaci\u00f3n de NEOS es muy atractiva, con numerosas fotograf\u00edas de Elliott Carter en diversos momentos de su vida, incluida una toma muy especial con su admirado Igor Stravinsky. Los textos est\u00e1n a cargo de Max Noubel, y son todos ellos muy interesantes, centr\u00e1ndose en las obras contenidas en esta edici\u00f3n, adem\u00e1s de presentar los poemas que componen Tempo e Tempi. El hecho de que la Fundaci\u00f3n BBVA haya patrocinado esta edici\u00f3n (as\u00ed como toda una serie de lanzamientos de m\u00fasica actual en el sello NEOS) imagino que ha ayudado a que el libreto est\u00e9 tambi\u00e9n escrito en castellano, lo cual siempre es de agradecer (tanto la traducci\u00f3n a nuestra lengua, como el que las corporaciones financieras hispanas apoyen tan interesantes iniciativas musicales). Diversas biograf\u00edas y fotos de int\u00e9rpretes completan una edici\u00f3n imprescindible para conocer la m\u00fasica de c\u00e1mara m\u00e1s reciente de este testigo privilegiado del siglo que se nos fue, tanto por las obras contenidas como por la interpretaci\u00f3n de las mismas.<\/p>\n

Paco Y\u00e1\u00f1ez<\/p>\n


\n01.07.2009<\/p>\n

<\/p>\n


\n06\/09<\/p>\n

<\/p>\n


\n05\/06 2009<\/p>\n

<\/p>\n


\n03\/2009<\/p>\n

<\/p>\n

Ensemble<\/p>\n

03\/09<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>\n

12.02.2009<\/p>\n

Carter, Elliott: Neue Kammermusik
\n<\/b>Neue Werke von Elliott Carter<\/p>\n

(eb) 99 Jahre war Elliott Carter alt, als er „HBHH“ f\u00fcr Oboe solo schrieb. Am 11. Dezember 2008 feierte der US-Komponist seinen 100. Geburtstag. Werke seines Sp\u00e4twerks fasst eine nun vorliegende CD zusammen. \u00dcbrigens: Das \u00e4lteste St\u00fcck stammt aus dem Jahr 1994. Die Musik eines alten Mannes? \u2013 Nein. Denn Carters Experimentierfreude ist ungebrochen. Ohne Konzessionen bleibt er seinem Stil treu: Ausdruck ist das Ergebnis einer Konstruktivit\u00e4t, deren Ergebnisse nicht nur intellektuell sprechen, sondern auch unmittelbar sinnlich.<\/p>\n<\/div>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Infopaket f\u00fcr Presse und Vertriebe\u00a0\u00bb<\/a>
\n(ZIP-Archiv, 2,6 MB)<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Infotext: HERZLICHEN GL\u00dcCKWUNSCH, ELLIOTT CARTER! Elliott Carter feiert am 11. Dezember 2008 seinen 100. Geburtstag. Und bis zum heutigen Tag schreibt er unerm\u00fcdlich neue und herausragende Musik voll ingeni\u00f6ser Erfindungskunst, Lebenskraft und Raffinesse. Die vorliegenden Aufnahmen j\u00fcngerer und j\u00fcngster Werke \u2013 drei davon als Weltersteinspielungen \u2013 sind Zeugen unserer gro\u00dfen Bewunderung, unserer ewigen Dankbarkeit und […]<\/p>\n","protected":false},"featured_media":3193,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[883,26],"product_tag":[],"class_list":{"0":"post-3192","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-orchester","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-10816","9":"pa_brand-neos-music","10":"pa_ean-734","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"\nElliott Carter: Happy Birthday, Elliott Carter! - New Chamber Works - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/elliott-carter-happy-birthday-elliott-carter-new-chamber-works\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elliott Carter: Happy Birthday, Elliott Carter! - New Chamber Works - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Infotext: HERZLICHEN GL\u00dcCKWUNSCH, ELLIOTT CARTER! Elliott Carter feiert am 11. Dezember 2008 seinen 100. Geburtstag. Und bis zum heutigen Tag schreibt er unerm\u00fcdlich neue und herausragende Musik voll ingeni\u00f6ser Erfindungskunst, Lebenskraft und Raffinesse. 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