{"id":3244,"date":"2008-04-08T14:14:13","date_gmt":"2008-04-08T14:14:13","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&#038;p=3244"},"modified":"2023-01-09T19:20:24","modified_gmt":"2023-01-09T19:20:24","slug":"christian-wolff-piano-pieces","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/christian-wolff-piano-pieces\/","title":{"rendered":"Christian Wolff: Piano Pieces"},"content":{"rendered":"<p>Programm:<\/p>\n<table border=\"0\" width=\"100%\" rules=\"none\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"bigcontent2\">\n<div id=\"tracks\">\n<p>[01] 10:20\u00a0<b>Tilbury I<\/b>\u00a0(1969)<br \/>\n<span id=\"flash1\"><\/span><\/p>\n<p><b>Keyboard Miscellany<\/b>\u00a0(1988\u2013)<br \/>\n[02] 00:39\u00a0<b>2.<\/b><br \/>\n[03] 04:19\u00a0<b>3.<\/b><br \/>\n[04] 00:35\u00a0<b>4.<\/b><br \/>\n[05] 03:13\u00a0<b>5.<\/b><br \/>\n[06] 01:27\u00a0<b>Earle Brown<\/b><br \/>\n[07] 01:06\u00a0<b>To Howard Skempton on his 50th birthday<\/b><br \/>\n[08] 00:56\u00a0<b>6.<\/b><br \/>\n[09] 00:17\u00a0<b>7.<\/b><br \/>\n[10] 00:35\u00a0<b>8.<\/b><br \/>\n[11] 00:47\u00a0<b>11.<\/b><br \/>\n[12] 10:06\u00a0<b>Variations on Morton Feldman\u2019s Piano Piece 1952<br \/>\n<\/b><span id=\"flash2\"><\/span><\/p>\n<p>[13] 03:00\u00a0<b>13.<\/b><br \/>\n[14] 00:28\u00a0<b>10.<\/b><br \/>\n[15] 00:09\u00a0<b>9.<\/b><br \/>\n[16] 02:30\u00a0<b>12.<\/b><\/p>\n<p>[17] 03:37\u00a0<b>Tilbury II<\/b>\u00a0(1969)<br \/>\n<span id=\"flash3\"><\/span><\/p>\n<p>[18] 05:57\u00a0<b>A Piano Piece<\/b>\u00a0(2006)<br \/>\n<span id=\"flash4\"><\/span><\/p>\n<p>[19] 08:55\u00a0<b>Tilbury III<\/b>\u00a0(1969)<br \/>\n<span id=\"flash5\"><\/span><\/p>\n<p>[20] 18:02\u00a0<b>Snowdrop<\/b>\u00a0(1970)<br \/>\n<span id=\"flash6\"><\/span><\/p>\n<p><b>gesamt:\u00a077:09<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a class=\"arcoma_glossarylink\" href=\"https:\/\/neos-music.com\/output.php?content=Kuenstler\/Sabine_Liebner.php&amp;treplace=english%2Cgerman\" target=\"_self\" rel=\"noopener\">Sabine Liebner<\/a>, Klavier<\/p>\n<\/div>\n<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Pressestimmen:<\/p>\n<table border=\"0\" width=\"100%\" rules=\"none\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"bigcontent2\">\n<div id=\"press\">\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/barnes%26noble_logo.jpg?ssl=1\" \/><\/p>\n<p>Editorial Reviews<\/p>\n<p>Christian Wolff was once the baby of the New York School, only 19 when he cast his lot with John Cage, Morton Feldman, and Earle Brown; in 2008, he is the last man standing. Solo piano music is central to Wolff&#8217;s output, and on Neos&#8216; Christian Wolff: Piano Pieces, German pianist Sabine Liebner performs a nice cross section of his efforts in this medium from 1969 to 2006. It takes a pianist with some amount of insight to realize Wolff&#8217;s compositions, all to some degree open ended, and he does not spell out all of the details.<\/p>\n<p>Liebner delivers them with a warm, expressive approach with lots of color, yet just the right amount of restraint. A standout is her reading of one of Wolff&#8217;s loveliest and most characteristic creations, &#8222;Snowdrop&#8220; (1970); another highlight is a selection from Wolff&#8217;s &#8222;Keyboard Miscellany,&#8220; a collection Wolff began in 1988 and in 2008 is still adding pieces to, preferring to keep its content, like his work, open ended. These pieces range from a 10-minute-long &#8222;Variations on Morton Feldman&#8217;s Piano Piece 1952&#8220; to a movement that lasts only 17 seconds; the latter is a departure from the rest as it is played forte and establishes a strong central theme before breaking off.<\/p>\n<p>Intuition is a main component in Wolff&#8217;s music, which is low key, reminiscent at times of Satie, and generally quiet and profound rather than outgoing and ostentatious. In a famous quote, Wolff&#8217;s colleague Frederic Rzewski once summarized its effect, but one almost doesn&#8217;t want to express its power in words too conspicuously, as it might ruin it for both listener and composer. That is indicatory of some of the pure magic in the music Christian Wolff makes; this disc makes for a very good encapsulation of his basic strengths, not to mention something that embodies a challenge, yet one can still chill out to it.<\/p>\n<p>Uncle Dave Lewis, All Music Guide<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/NeueZeitschriftMusik.gif?ssl=1\" \/><br \/>\n05\/06 2009<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/10723_NZfM_050609038.jpg?ssl=1\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/Gramophone-Archive.jpg?ssl=1\" \/><br \/>\n04\/2009<\/p>\n<p><b>Christian Wolff<\/b><\/p>\n<p>Cult contemporary piano classics that you can&#8217;t get out of your head<\/p>\n<p>For Christian Wolff, the point is specifying to performers not what should be played but rather how to play. Wolff, now 74, is the last surviving member of the New York School of composers, that loose association of like-minded individuals grouped around John Cage who had radically different notions of how chance and indeterminacy might revolutionise their art. Too much contemporary music hides the paucity of its ideas behind a veneer of complexity &#8211; in Wolff s music, complex ideas are filtered into a musical surface that rarely breaks into a sweat. It&#8217;s a bewitching way to make art.<br \/>\nThe Tilbury pieces are cult contemporary classics that disperse beautifully heard scraps of material around a spacious canvas. The<br \/>\nMiscellany is an evolving sketchpad documenting Wolff&#8217;s myriad techniques and obsessions. Liebner brings deadpan detachment and a resonant, tactile tone to this inscrutable, always fascinating, whimsical music.<br \/>\nBut the most bewitching piece here is, arguably, Snowdrop (1970) which generates itself from that most fundamental of musical parameters: scales. Important functional notes are sieved out of some scales and attached to others, while elsewhere groups of notes are interchanged to create odd scalic hybrids. Because the process is so fleeting and catches the listener unawares, fragments of melody and halfremembered gestures mess with your imagination. A vaguely Baroque bass-line falls over: am I really hearing &#8222;put the kettle on&#8220; with a missing &#8222;Polly&#8220;, &#8222;For Sale&#8220; with no &#8222;Love&#8220;, or the &#8222;la, la, la&#8220; refrain from Kylie&#8217;s &#8222;Can&#8217;t get you out of my head&#8220;? Or are Wolff&#8217;s snowdrops snow-blinding my ears?<\/p>\n<p>Philip Clark<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/piano_news_logo.gif?ssl=1\" \/><br \/>\n1\/2009<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/10723_PianoNews_0109.jpg?ssl=1\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/klassikcom.gif?ssl=1\" \/><br \/>\n10.11.2008<\/p>\n<p><b>Viel Freiheit<br \/>\n<\/b><\/p>\n<p>Interpretation:\u00a0<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/stars5.gif?ssl=1\" \/><br \/>\nKlangqualit\u00e4t:\u00a0<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/stars4.gif?ssl=1\" \/><br \/>\nRepertoirewert:\u00a0<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/stars3.gif?ssl=1\" \/><br \/>\nBooklet:\u00a0<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/stars3.gif?ssl=1\" \/><\/p>\n<p>Das Markante an den Werken des amerikanischen Komponisten Christian Wolff ist ihre Offenheit, ihre nicht alles bis ins letzte Detail festlegende Notation. Das eine Extrem ist ,Edges&#8216;, dessen Partitur lediglich aus einer Seite besteht. Darauf sind einige Zeichen verteilt, hier eins, da eins. Der Interpret ist frei festzulegen, wo er beginnt, welchen Pfad erw\u00e4hlt und vor allem was er spielt. ,Edges&#8216; ist weniger eine technische Spielanweisung als eine Anweisung, die als Bild wirkt. In sp\u00e4teren Jahren wurden Wolffs Partituren wesentlich konkreter.<\/p>\n<p>Musikalische Skizzen<\/p>\n<p>Bei den vorliegend eingespielten drei ersten ,Tilbury&#8216;-Kompositionen hat Wolff trotz des Titels \u2013 der Name eines Pianisten &#8211; weder die Art noch die Zahl der Instrumente festgelegt. ,Snowdrop&#8216; ist f\u00fcr Cembalo und\/oder andere Instrumente geschrieben. ,A Piano Piece&#8216; und ,Keyboard Miscellany&#8216; sind die beiden einzigen ausschlie\u00dflich f\u00fcr Klavier geschriebenen St\u00fccke der vorliegenden CD. Letzteres ist eine Sammlung von Gelegenheitskompositionen, die als Form immer noch offen f\u00fcr weitere ist. Es sind ziemlich kurze St\u00fccke, oft komponiert aus Anlass eines Geburtstages. Nach Wolff sind es kleine Experimente, kleine Zeichnungen im Skizzenblock.<\/p>\n<p>Bei ,Hat Hut&#8216; erschien dieses Jahr eine CD mit fr\u00fchen Klavierwerken Wolffs, eingespielt von Steffen Schleiermacher. An dieser und an der vorliegenden, von Sabine Liebner f\u00fcr ,Neos&#8216; (und den Bayerischen Rundfunk) eingespielten CD kann man gut die Unterschiede in der m\u00f6glichen Herangehensweise eines Interpreten an zeitgen\u00f6ssische Klavierst\u00fccke erkennen. Spielt Schleiermacher eher objektiv und technisch, so als versuche er sich aus dem Spiel herauszuhalten, so f\u00fchlt sich Liebner in die Kompositionen ein. Sie ist in jedem Ton anwesend. Sabine Liebners Art ziehe ich vor. Sie behandelt jeden Ton wie ein Heiligtum und hebt damit die Klavierst\u00fccke aus der irdischen Dimension in eine Metaphysische. Bei ihr ist jeder Klang, jede Pause ein Ereignis.<br \/>\nSehr spannend an einer Wolff-Komposition ist es, wenn man eine Partitur zur Verf\u00fcgung hat und die Wege und Entscheidungen des Interpreten verfolgen kann. Aber auch ohne diese entfaltet Wolffs Musik ihren eigenartig warm-spr\u00f6den Reiz.<\/p>\n<p>Patrick Beck<\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/Rondo_logo.gif?ssl=1\" \/><br \/>\n6\/08<\/p>\n<p><b>Haste T\u00f6ne\u00ff<br \/>\n<\/b>Raoul M\u00f6rchen stellt Neuerscheinungen mit zeitgen\u00f6ssischer Musik vor<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/10723_Rondo_608.jpg?ssl=1\" \/><\/p>\n<p><b>Diverdi 11\/2008<\/b><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/10723_Diverdi_1108.jpg?ssl=1\" \/><\/p>\n<\/div>\n<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programm: [01] 10:20\u00a0Tilbury I\u00a0(1969) Keyboard Miscellany\u00a0(1988\u2013) [02] 00:39\u00a02. [03] 04:19\u00a03. [04] 00:35\u00a04. [05] 03:13\u00a05. [06] 01:27\u00a0Earle Brown [07] 01:06\u00a0To Howard Skempton on his 50th birthday [08] 00:56\u00a06. [09] 00:17\u00a07. [10] 00:35\u00a08. [11] 00:47\u00a011. [12] 10:06\u00a0Variations on Morton Feldman\u2019s Piano Piece 1952 [13] 03:00\u00a013. [14] 00:28\u00a010. [15] 00:09\u00a09. [16] 02:30\u00a012. [17] 03:37\u00a0Tilbury II\u00a0(1969) [18] 05:57\u00a0A Piano [&hellip;]<\/p>\n","protected":false},"featured_media":3245,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[882,26],"product_tag":[],"class_list":{"0":"post-3244","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-klavier","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-10723","9":"pa_brand-neos-music","10":"pa_ean-786","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Christian Wolff: Piano Pieces - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/christian-wolff-piano-pieces\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christian Wolff: Piano Pieces - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Programm: [01] 10:20\u00a0Tilbury I\u00a0(1969) Keyboard Miscellany\u00a0(1988\u2013) [02] 00:39\u00a02. [03] 04:19\u00a03. [04] 00:35\u00a04. [05] 03:13\u00a05. [06] 01:27\u00a0Earle Brown [07] 01:06\u00a0To Howard Skempton on his 50th birthday [08] 00:56\u00a06. [09] 00:17\u00a07. [10] 00:35\u00a08. [11] 00:47\u00a011. [12] 10:06\u00a0Variations on Morton Feldman\u2019s Piano Piece 1952 [13] 03:00\u00a013. [14] 00:28\u00a010. [15] 00:09\u00a09. [16] 02:30\u00a012. [17] 03:37\u00a0Tilbury II\u00a0(1969) [18] 05:57\u00a0A Piano [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/neos-music.com\/en_us\/product\/christian-wolff-piano-pieces\/\" \/>\n<meta property=\"og:site_name\" content=\"NEOS Music\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-09T19:20:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_10723_Wolff_Piano_Pieces.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1649\" \/>\n\t<meta property=\"og:image:height\" content=\"1482\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/\",\"url\":\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/\",\"name\":\"Christian Wolff: Piano Pieces - NEOS Music\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/neos-music.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/neos-music.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/NEOS_10723_Wolff_Piano_Pieces.jpeg?fit=1649%2C1482&ssl=1\",\"datePublished\":\"2008-04-08T14:14:13+00:00\",\"dateModified\":\"2023-01-09T19:20:24+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/neos-music.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/NEOS_10723_Wolff_Piano_Pieces.jpeg?fit=1649%2C1482&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/neos-music.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/NEOS_10723_Wolff_Piano_Pieces.jpeg?fit=1649%2C1482&ssl=1\",\"width\":1649,\"height\":1482},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/product\\\/christian-wolff-piano-pieces\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/neos-music.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Produkte\",\"item\":\"https:\\\/\\\/neos-music.com\\\/shop__trashed\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Christian Wolff: Piano Pieces\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/#website\",\"url\":\"https:\\\/\\\/neos-music.com\\\/\",\"name\":\"NEOS Music\",\"description\":\"Dein Online Shop f\u00fcr zeitgen\u00f6ssische Musik, Jazz und Classics!\",\"publisher\":{\"@id\":\"https:\\\/\\\/neos-music.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/neos-music.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/#organization\",\"name\":\"NEOS Music\",\"url\":\"https:\\\/\\\/neos-music.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/neos-music.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/neos-music.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/NEOS-Logo-weiss.png?fit=800%2C203&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/neos-music.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/NEOS-Logo-weiss.png?fit=800%2C203&ssl=1\",\"width\":800,\"height\":203,\"caption\":\"NEOS Music\"},\"image\":{\"@id\":\"https:\\\/\\\/neos-music.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Christian Wolff: Piano Pieces - NEOS Music","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/neos-music.com\/en_us\/product\/christian-wolff-piano-pieces\/","og_locale":"en_US","og_type":"article","og_title":"Christian Wolff: Piano Pieces - NEOS Music","og_description":"Programm: [01] 10:20\u00a0Tilbury I\u00a0(1969) Keyboard Miscellany\u00a0(1988\u2013) [02] 00:39\u00a02. [03] 04:19\u00a03. [04] 00:35\u00a04. [05] 03:13\u00a05. [06] 01:27\u00a0Earle Brown [07] 01:06\u00a0To Howard Skempton on his 50th birthday [08] 00:56\u00a06. [09] 00:17\u00a07. [10] 00:35\u00a08. [11] 00:47\u00a011. [12] 10:06\u00a0Variations on Morton Feldman\u2019s Piano Piece 1952 [13] 03:00\u00a013. [14] 00:28\u00a010. [15] 00:09\u00a09. [16] 02:30\u00a012. 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