{"id":3288,"date":"2007-06-01T15:27:31","date_gmt":"2007-06-01T15:27:31","guid":{"rendered":"https:\/\/neos-music.com\/?post_type=product&#038;p=3288"},"modified":"2023-05-22T21:31:50","modified_gmt":"2023-05-22T21:31:50","slug":"mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16","status":"publish","type":"product","link":"https:\/\/neos-music.com\/en_us\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/","title":{"rendered":"Mathias Spahlinger: Farben der Fr\u00fche \/ musica viva vol. 16"},"content":{"rendered":"<p>Infotext:<\/p>\n<table border=\"0\" width=\"100%\" rules=\"none\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"bigcontent2\">\n<div id=\"infotext\">\n<p>Spahlinger ist nicht gerade als Schnellschreiber bekannt, aber der Entstehungszeitraum von acht Jahren ist auch f\u00fcr seine Verh\u00e4ltnisse au\u00dfergew\u00f6hnlich lang. Die UA des St\u00fccks wurde f\u00fcnfmal verschoben, ehe es im November 2005 schlie\u00dflich realisiert werden konnte (Theaterhaus Stuttgart).<\/p>\n<p>Zu guter Letzt erschlie\u00dft Spahlinger zwischen den Tr\u00fcmmern tonaler Ordnung und den Roh- und Neubauten der Klang- und Ger\u00e4uscharchitektur jedoch tats\u00e4chlich Neues, so noch nicht Geh\u00f6rtes und setzt damit wahrscheinlich nicht nur im eigenen Schaffen eine Z\u00e4sur, sondern in der aktuellen Musikproduktion \u00fcberhaupt.<\/p>\n<p>Die vorliegende Multichannel-Surround-Aufnahme vom 20. Januar 2007 mit den Pianisten der UA ist eine Pioniertat der musica viva M\u00fcnchen.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/news\/PdSK_Spahlinger_small.jpg?ssl=1\" \/><\/p>\n<\/div>\n<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Programm:<\/p>\n<p><b>Farben der Fr\u00fche<\/b>\u00a0(2005)<br \/>\nf\u00fcr sieben Klaviere<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/images\/various\/7_Pianos_500x145.jpg?ssl=1\" \/><\/p>\n<p>[1] 06:03\u00a0<b>Satz 1<br \/>\n<\/b><span id=\"flash1\"><\/span><\/p>\n<p>[2] 02:02\u00a0<b>Satz 2<\/b><br \/>\n[3] 10:47\u00a0<b>Satz 3<br \/>\n<\/b><span id=\"flash2\"><\/span><\/p>\n<p>[4] 07:16\u00a0<b>Satz 4<\/b><br \/>\n[5] 15:52\u00a0<b>Satz 5<br \/>\n<\/b><span id=\"flash3\"><\/span><\/p>\n<p>[6]\u00a004:19\u00a0<b>Satz 6<\/b><\/p>\n<p><b>gesamt: 46:47<\/b><\/p>\n<p><a class=\"arcoma_glossarylink\" href=\"https:\/\/neos-music.com\/output.php?content=Kuenstler\/Ensemble_SurPlus.php&amp;treplace=english%2Cgerman\" target=\"_self\" rel=\"noopener\">Ensemble SurPlus<\/a>\u00a0(Axel Gremmelspacher, Peter Hoffmann, Sven Thomas Kiebler, Eun Ju Kim, Hansj\u00f6rg Koch, Irmela Roelcke, Elmar Schrammel)<br \/>\n<a class=\"arcoma_glossarylink\" href=\"https:\/\/neos-music.com\/output.php?content=Kuenstler\/James_Avery.php&amp;treplace=english%2Cgerman\" target=\"_self\" rel=\"noopener\">James Avery<\/a>, conductor<\/p>\n<p>Live aufgezeichnet am 20. M\u00e4rz\u00a02007 im Carl-Orff-Saal, Gasteig, M\u00fcnchen<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/PdSK_Spahlinger_small.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p>Pressestimmen:<\/p>\n<p><b><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_fanfare.jpg?ssl=1\" alt=\"\" \/><br \/>\n<\/b>07\/08.2008<\/p>\n<p>The two founding-member pianists of Ensemble SurPlus, Sven Thomas Kiebler and Eun Ju Kim, are joined by guest pianists Axel Gremmelspacher, Peter Hoffmann, Hansj\u00f6rg Koch, Irmela Roeleke, and Elmar Schrammel under the direction of James Avery in the first recording of Farben der Fr\u00fche (\u201cMorning Colors\u201d) by Mathias Spahlinger. Composed and premiered in 2005, Morning Colors was recorded during a Munich concert in 2007. Recording values are high and capture the spatial separation of the seven concert grands on which this formidable score is dependent. The performances are excellent, though the music itself is, to my ears at least, deeply perplexing.<\/p>\n<p>Generally when reviewing new works I resist the temptation to look at the notes and try instead to form an impression based strictly on the music itself, unbolstered by intellectual scaffolding. Admittedly, half way through Morning Colors, I was thumbing through Andreas Kosack\u2019s program notes in an effort to understand what exactly might be going on. It\u2019s not that this music is in any way incomprehensible, but that it seems so astonishingly anachronistic\u2014as though one were time-transported to a 1951 workshop at the Darmstadt Summer Courses for New Music. Nor did the notes shed much light. Kosack refers portentously to the philosophers Spinoza and Liebruck; he alludes to musical quotations of Chopin, Scriabin, Ravel, and Thelonious Monk embedded in the score (none of which were audible to me); and he quotes the composer\u2019s conviction, \u201cAnarchy in the sense of being ungoverned\u2014that is the lack of something that comes first and asserts itself\u2014is the basis for everything in life.\u201d Yes\u2014and?<\/p>\n<p>The 47 minutes of Morning Colors unfold in seven more or less contrasting, untitled movements. In some ways, the most remarkable is the third and second longest at a little under 11 minutes. The first eight-and-a-half minutes of this movement consist of nothing but a single pitch in the pianos\u2019 bass range repeated in varying rhythmic patterns and passed among the pianos. Maybe I\u2019m spoiled from listening too often to Steve Reich\u2019s Six Pianos of 1973, but I have to believe that massed keyboards can stimulate some imaginative response beyond what is heard here. Ultimately Morning Colors seems to have been composed in a vacuum, innocent of mature Boulez, Stockhausen, and Nono, and blissfully unaware of any music that\u2019s emanated from America or the U.K. over the past 45 years. Of course, none of this would matter if an original creative voice were saying something\u2014anything. Mea culpa! I fail to hear it.<\/p>\n<p>The packaging of the recording is handsome, and the tone of Kosack\u2019s obfuscating commentary is at least earnest. As to the \u201cmorning colors,\u201d they must have followed one of the worst nights on record.<\/p>\n<p>Patrick Rucker<\/p>\n<p><b><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/logo_konkret.jpg?ssl=1\" alt=\"\" \/><br \/>\n<\/b>06.2008<\/p>\n<p><b><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/10710_Konkret.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p><b><br \/>\nPiano News<\/b>\u00a0November\/Dezember 2007<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/10710_PianoNews_11u1207.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p><b><\/b><br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/Diverdi-Logo013.jpg?ssl=1\" alt=\"\" \/><br \/>\n11\/12.2007<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/10710_Diverdi_11u1207.jpg?ssl=1\" alt=\"\" \/><\/p>\n<p><b>RONDO plus<\/b>\u00a05\/07<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2023\/05\/Rondoplus_0507.jpg?ssl=1\" alt=\"\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Infotext: Spahlinger ist nicht gerade als Schnellschreiber bekannt, aber der Entstehungszeitraum von acht Jahren ist auch f\u00fcr seine Verh\u00e4ltnisse au\u00dfergew\u00f6hnlich lang. Die UA des St\u00fccks wurde f\u00fcnfmal verschoben, ehe es im November 2005 schlie\u00dflich realisiert werden konnte (Theaterhaus Stuttgart). Zu guter Letzt erschlie\u00dft Spahlinger zwischen den Tr\u00fcmmern tonaler Ordnung und den Roh- und Neubauten der [&hellip;]<\/p>\n","protected":false},"featured_media":3289,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[882,26],"product_tag":[],"class_list":{"0":"post-3288","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-klavier","7":"product_cat-zeitgenossische-musik","8":"pa_artikelnummer-neos-10710","9":"pa_brand-neos-music","10":"pa_ean-828","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mathias Spahlinger: Farben der Fr\u00fche \/ musica viva vol. 16 - NEOS Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/neos-music.com\/en_us\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mathias Spahlinger: Farben der Fr\u00fche \/ musica viva vol. 16 - NEOS Music\" \/>\n<meta property=\"og:description\" content=\"Infotext: Spahlinger ist nicht gerade als Schnellschreiber bekannt, aber der Entstehungszeitraum von acht Jahren ist auch f\u00fcr seine Verh\u00e4ltnisse au\u00dfergew\u00f6hnlich lang. 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Zu guter Letzt erschlie\u00dft Spahlinger zwischen den Tr\u00fcmmern tonaler Ordnung und den Roh- und Neubauten der [&hellip;]","og_url":"https:\/\/neos-music.com\/en_us\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/","og_site_name":"NEOS Music","article_modified_time":"2023-05-22T21:31:50+00:00","og_image":[{"width":840,"height":756,"url":"https:\/\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_10710_Mathias_Spahlinger_Musica_Viva.jpeg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/","url":"https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/","name":"Mathias Spahlinger: Farben der Fr\u00fche \/ musica viva vol. 16 - NEOS Music","isPartOf":{"@id":"https:\/\/neos-music.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/#primaryimage"},"image":{"@id":"https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_10710_Mathias_Spahlinger_Musica_Viva.jpeg?fit=840%2C756&ssl=1","datePublished":"2007-06-01T15:27:31+00:00","dateModified":"2023-05-22T21:31:50+00:00","breadcrumb":{"@id":"https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/#primaryimage","url":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_10710_Mathias_Spahlinger_Musica_Viva.jpeg?fit=840%2C756&ssl=1","contentUrl":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2022\/11\/NEOS_10710_Mathias_Spahlinger_Musica_Viva.jpeg?fit=840%2C756&ssl=1","width":840,"height":756},{"@type":"BreadcrumbList","@id":"https:\/\/neos-music.com\/product\/mathias-spahlinger-farben-der-fruehe-musica-viva-vol-16\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/neos-music.com\/"},{"@type":"ListItem","position":2,"name":"Produkte","item":"https:\/\/neos-music.com\/shop__trashed\/"},{"@type":"ListItem","position":3,"name":"Mathias Spahlinger: Farben der Fr\u00fche \/ musica viva vol. 16"}]},{"@type":"WebSite","@id":"https:\/\/neos-music.com\/#website","url":"https:\/\/neos-music.com\/","name":"NEOS Music","description":"Dein Online Shop f\u00fcr zeitgen\u00f6ssische Musik, Jazz und Classics!","publisher":{"@id":"https:\/\/neos-music.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/neos-music.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/neos-music.com\/#organization","name":"NEOS Music","url":"https:\/\/neos-music.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/neos-music.com\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2025\/08\/NEOS-Logo-weiss.png?fit=800%2C203&ssl=1","contentUrl":"https:\/\/i0.wp.com\/neos-music.com\/wp-content\/uploads\/2025\/08\/NEOS-Logo-weiss.png?fit=800%2C203&ssl=1","width":800,"height":203,"caption":"NEOS Music"},"image":{"@id":"https:\/\/neos-music.com\/#\/schema\/logo\/image\/"}}]}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product\/3288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":0,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product\/3288\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/media\/3289"}],"wp:attachment":[{"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/media?parent=3288"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product_brand?post=3288"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product_cat?post=3288"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/neos-music.com\/en_us\/wp-json\/wp\/v2\/product_tag?post=3288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}