French photo-documentary artist JR and Luigi Nono are paradigmatic for Ernst Helmuth Flammer's work for vocal soloists, with the great singer Nicholas Isherwood being a significant source of inspiration for his compositions. His broad experimental repertoire of vocal textures, various highly denatured vocal techniques\u2014a plateau for alienation techniques\u2014and his equally unconventional range of expression offer a wide reservoir of musical commentary levels that are semantically expressive even without text.<\/p>\n
Homs, gegen das Vergessen \u2026 Paris, aus einem Totenhaus \u2026 Unterwerfung \u2026?<\/b><\/em> \u2013 An epic cantata for solo baritone searches for truths, truths of Umanit\u00e0, which are not linear, which are not simple; there is no one truth. Each of these seven parts is introduced with the piercing question: \u201cWhat is truth?\u201d, which recurs like a refrain.<\/p>\n The title Nach vorn \u2026 4, spatial \u00e0 l\u2019\u00e9vocation infini et \u00e9chapp\u00e9e<\/b> <\/em> for bass voice and tape could be translated into English as \u201cspatially infinite and escaped in the imagination\u201d (in the sense of no longer comprehensible, unimaginable). \u201cThe world as will and representation,\u201d as a utopia (!), as a dream (?). Yes and no! Not the world we perceive.<\/p>\n In Almer\u00eda, tu terra quemada<\/b> <\/em>, the six-part text, interrupted by refrains that continuously evolve, is juxtaposed with the music in a kind of illustrative and alienating commentary.<\/p>","protected":false},"excerpt":{"rendered":" 1 CD<\/p>","protected":false},"featured_media":6853,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[26],"product_tag":[876],"class_list":{"0":"post-6852","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-zeitgenossische-musik","7":"product_tag-neuveroeffentlichungen","8":"pa_artikelnummer-neos-12318","9":"pa_brand-neos-music","10":"pa_ean-891","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"\n
\n<\/b><\/i>Spaziofonia \u2013 Polimorfia II<\/strong><\/em>f\u00fcr vierkanaliges Tonband verwendet ausschlie\u00dflich Basismaterialien, die von Nicholas Isherwood aufgenommen worden sind. Diese Materialien werden algorithmisch verfremdet, transponiert, invertiert, was hei\u00dft, dass eine Struktur retrograd erklingt.<\/p>\n